BIO
Bettie Page -- On a
summer day in 1952, a photographer saw Bettie at Jones
Beach, took some pictures of her, suggested that she
change her hairstyle to the bangs that became her
trademark, an introduced her to Irving Claw, the
impresario of mail-order girlie pix.
Within two years,
Bettie Page was superstar in the strange, hermetic world
of girlie pix. The customers of Klaw's Movie Star News
and Cartoon and Model Parade demanded more pictures of
Bettie. The photographers loved her. She would pose all
day. She made $10 an hour. She would pose nude,
seminude, in dusty studios and dark apartments and
outside in lousy weather. She never complained. The only
problem they had with her was that she had trouble being
on time. She was always late. Once, it is said, three
days late. But the photographers would wait, for that
look, for that smile.
There was no one like
her in the 50's. Was this mysterious 1950's Queen of
bondage pin-ups, a visionary? Or the pawn of those who
photographed her?
By 1955 Bettie was the
queen of pinups, the undisputed superstar of bondage
pix, the main event in the Battling Babes series. She
was the biggest hit on the photography-club circuit, the
members of which paid a set fee for an afternoon field
trip to some deserted meadow, park, or farm in New
Jersey or Connecticut.
Of such stuff as this
are the collective fantasies of millions of men
constructed and colluded. Nearly fifty years after her
first appearance on the cover of Cartoon and Model
Parade, Betty Page remains the undisputed queen of the
pin-up.
Her image of short
black bangs, ultra high heels and a Southern smile
graces everything from men's magazines and adult comics
to cult film and full-color tattoos.
She modeled for about a
decade in jungle wear for Miami photographer Bunny
Yeager and in bondage gear for New York City brother and
sister photography team, Irving and Paula Klaw.
According to Yeager, Page was one of the most
photographed models in America, pictured more than Cindy
Crawford and Marilyn Monroe combined.
Her images, captured on
film by photographer, Irving Klaw, between 1951-57, is a
virtual catalogue of the erotic fantasy life of the
heterosexual American male, replete and glittering with
images of domination and submission, of
celluloid-inspired exoticism and girl-next-door
innocence.
Now, leather, S&M,
bondage, and other such fetishes are talked about openly
on daytime talk shows, but Bettie was definitely ahead
of her time.
Perhaps like many
innocent young girls hoping for stardom, she was merely
modeling for such people as Irving Klaw and Bunny Yeager
while waiting for her "big break".
In 1957, Bettie gave it
all up. She went to Florida, modeled for a few years and
then disappeared. What became of her? There are many
rumors of what happened to her. They range from
"gangsters had threatened her life so she had
plastic surgery and went to live in Europe" to
" she entered a convent".
It is probably just as
well we don't know all the facts, it leaves us to our
imagination as to the true story.
But it doesn't matter
anyway, Bettie Page has left us a menagerie of sexy,
mysterious, unusual and sometimes very humorous photos
to enjoy for lifetimes to come.
Betty's
toothy smile and buxom, well-fed form decked-out in
stiletto heels and leather are appropriately dichotomous
metaphors for the state of the male erotic psyche,
providing a keyhole glimpse into the gaudy, underlit
bedroom of the American mind.
Bettie
Mae Page
Born:
April 22 1923 in Nashville, Tennessee
Parents:
Edna and Roy Page
Height:
5'5 1/2
Weight:
128-130
Measurements:
36"-23"-35"
Eyes:
Blue/Grey
Hair:
Black (naturally) |
Musical
Instruments:
Guitar & Piano
Other Professions:
Teacher, Secretary
Smoke or Drink:
Never
Marital Status:
Currently single, but divorced three times.
Career Highlights:
Bettie has appeared in over 1,000 magazines
since 1951.
Bettie was the Centerfold girl in the January
1955 Issue of Playboy. |