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The world according to Diamond Dave delivered in an over-the-top, sensational, technicolor display of words and world wisdom that transcends just mere understanding but is a way of life.
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Rock and roll needs a hero - not a red
rocked tampon! Ladies and gentleman, freaks with flippers and
tissue box double dippers - I give you the mighty Diamond David
Lee Roth Army. Join our lubricated leper colony for a sloppy
dose of music, entertainment and pop culture madness Roth style.
Sign up, log in and cream your flaps daily -because you can't
get this stuff anywhere but here! And put down that sheep...Sam
may need it later. |
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DIAMONDS ARE
FOREVER
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DIAMONDS ARE
FOREVER
DLR-
midwestbeat.com- 03
by Ernie Thomas
Look up “rock star” in the dictionary and you may likely find a
photo of the Bloomington, Indiana-born and bred, David Lee Roth,
illustrating the definition.
Roth, late of Van Halen, has epitomized the essence of rock stardom
since he first dazzled us with his diamond style.

When Van Halen burst out of Los Angeles in the late 1970s, they
re-energized the hard rock scene and probably prevented the
“alternative” scene from hitting us much sooner than it
eventually did.
At the time Van Halen came out, long haired hard rock/metal bands
were still trying to be the next Led Zeppelin. The genre was tired
and needing a transfusion about as badly as Keith Richards on a
binge night.
As flashy as he was/is, Eddie Van Halen retained the old school
“sacred guitar god” image. He was enough of a holdover, that the
previous generation of rockers –– weaned on the axe chops of
Hendrix, Marino and Page –– felt comfortable to come worship at
his altar.
What really made Van Halen stand apart from their hard rock
predecessors and pre-date the L.A. spandex explosion, was the
high-kicking, human dynamo they had as their front man.
From the moment he first flashed his famous cheshire cat grin on
MTV, Van Halen’s egocentric and athletic frontman/vocalist ––
David Lee Roth –– became the very embodiment of rock stardom for
his generation.
Eddie and David became the new dynamic duo of rock ‘n’ roll!
Together they created a band that became the “blueprint” for the
parade of West Coast “hair bands” that followed in the 1980s.
With a penchant for wearing furry knee boots, flowing silk scarves
and spandex, Roth’s choice of clothes are often as loud as his
music and his flamboyant and over the top schtick has made him one
of the most famous rock showmen of all time.
Roth’s impact has been so grand and his audience so all inclusive,
that he now draws the same kind of multi-generational/cross cultural
audience as bands like U2, Pink Floyd and the Rolling Stones.

Roth refers to his fan base as being “Harleys and Ferraris,”
because they range from one end of the spectrum to the other and
include everyone in between.
Though gone from the group for a number of years, Roth is still
revered by most people as “the voice of Van Halen.” Roth is
quick to amend that thought during our interview. “Ummmm...Not to
most people... to ALL people! It’s just that some of you have to
be politically polite,” he laughed.
Asked if Van Halen as a band is truly dead, Roth says –– “As
long as I’m healthy and as long as I can hit that note, then
‘Hope Springs Eternal’ is more than just the name of a stripper
in Dallas,” he joked. “You can not only replace the music, but
you can find musicians who can take it past where you found it. The
one thing you will never replace is a distinct human voice and the
larceny that drives it!”
Roth recently filmed an "unplugged" segment for a
Vancouver music television network, and while rollicking around the
Great White North, he decided to kick off a world tour to support
his sixth solo CD, “Diamond Dave,” which ships on July 8.
“We’re doing a half dozen Canadian gigs and then we’ll
continue on for another 75 shows in the U.S. After that we go on to
Japan, Australia and everyplace else that will have us,” said
Roth.
Recording sessions for Diamond Dave began almost immediately upon
the completion of last year’s high profile “Sam & Dave
Show,” which paired Roth with his Van Halen replacement and arch
rival, Sammy Hagar.
Speaking with Roth, one realizes that the famous feuding between the
two singers is not some savvy marketing ploy dreamed up in some
board room, but a genuine dislike for each other that rivals that of
the Everly Brothers. Everything between the two ex-V.H. belters
seems viewed as being a competition, though Roth jokes about how
Hager is no competition at all.

“I barely got warmed up on that tour, so I was more than ready to
hit the studio and rock,” he laughed. “But poor Sam, he just
fell apart after about 50 shows. For Christ’s sake, Cher just
finished 140 shows, so what does that tell you [about Hagar]”
Roth’s version of an old Steve Miller Band song, “Shoo Bop,”
is the first radio single from the new 14-track CD.
“We just finished filming the video and people who loved the
‘Hot For Teacher’ and ‘California Girls’ videos will really
love this one,” he said. “As you might expect, it’s got plenty
of gorgeous women and it’s pretty left of center.”
From when he covered the Kinks’ “You Really Got Me” on the
first Van Halen album, to when he wrapped his indelible voice around
such vintage tunes like “California Girls,” “Tobacco Road”
and “Just A Gigolo” during his solo years, Roth has always
enjoyed making other artists’ songs his own.
He counts himself in good company when it comes to doing covers in
this manner, by pointing out that the Rolling Stones, Elvis Presley
and Frank Sinatra are others who frequently reinterpreted other’s
songs.
“Hell, the New York Philharmonic is really nothing more than a
Beethoven tribute band when you get right down to it,” laughed
Roth. “And they sure get respect.”
Roth continues this long tradition on Diamond Dave, by covering
three classic Savoy Brown songs and one each by Jimi Hendrix, The
Beatles and The Doors.
“There’s a number of different ways to approach a cover tune,”
explained Roth. “One is to ‘just get it right’ as Coach Kelly
from my old Pop Warner days would always say. Another is to take the
premise that maybe they didn’t do the song so well the first time
around and you can do it better. A third is to take the song
completely past where you found it and make something entirely new
and unique from it.”

A quarter century has passed since the world was introduced to Van
Halen. That said, the band is now eligible for induction into the
Rock And Roll Hall of Fame.
Given their retail and radio success, and the influence they have
had, it seems unlikely that Van Halen will be stepped over when it
comes to nomination time.
The real question is whether the V.H. members can remain civil
towards each other long enough to stand together at the podium to
receive the honor, let alone perform together live at the ceremony.
“I’m interested in knowing that one myself,” laughed Roth.
“Maybe if Eddie Van Winkle can wake up long enough to find his way
to the building we’ll find out.”
Roth may not be sure how the performance might turn out, but he
knows for a fact that rock ‘n’ roll fans would never forget Van
Halen’s induction, were it to happen.
“Remember that Mike Tyson fight, where he bit the guy’s ear?
That was really lousy boxing, but it was superb television. I
guarantee that if nothing else, Van Halen together up at the podium
would be great television!”
Roth spent most of his pre-teen years living just outside of
Bloomington. His family left the Midwest when he was age 9.
“When people hear I’m from Indiana, they ask if I miss running
through the grass barefoot,” he said. “I tell them – ‘No, I
didn’t run barefoot, because we lived next to a turkey farm...’
When asked what he really did miss about his days as a Hoosier, Roth
did not hesitate in responding.
“Honestly, I miss the fresh air and open spaces,” he exclaimed.
“You tend to take that kind of stuff for granted until you move
away. Then you have to pay an extra thousand bucks a month just to
get a place in some high rise [building] that has a little bitty
prison window that only opens about six inches – ‘Here’s your
fresh air Mr. Roth!’ ”
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http://www.midwestbeat.com/ezine/july%202003/roth.htm
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