Jack started off as a guitar player and then out of necessity got stuck playing the bass because the band he was in needed a bass player. So he incorporated melodic playing, finger vibrato, and chords into his bass playing. He approached it from a guitar player standpoint. You do that on a bass and then go to a guitar, WOW! You get a harmonic and resonance thing going that you just don't get playing the instrument with a lighter touch. You really have to build up your hands to do it though.
Eddie is basically playing funk on the guitar. Mean Streets is nothing but slapping and popping the strings like a bass player. It's harder to do because the strings are smaller but that is all it is. Ed uses a lot of bass trickery on the guitar and I just really started discovering that.
Last edited by Nitro Express; 11-30-2011 at 01:49 PM.
Actually apply these funky bass techniques to your guitar playing and see where it takes you. You will come up with some cool shit.
See the slap funk technique in Ed's playing? He's slapping the shit out of those strings.
Last edited by Nitro Express; 11-30-2011 at 01:59 PM.
Yup, IIRC Ed said in an interview he came up with the "Mean Street" intro playing around with slapping ala Larry Graham, Stanley Clarke or some other Motown bassist he was digging on at the time...
Last edited by Coyote; 11-30-2011 at 03:27 PM.
I think it's easier to do on bass because the strings are bigger. I can get great pinch harmonics just going off the tip of the pick and letting the string hit my thumb. It's a feel thing. I have the advantage of being a classical guitar player and also playing finger style bass 98% of the time. I have a lot of strength and dexterity in my right hand. It's helps.
Nitro.... I was trained in classical as well. I'm finding that I use the classical guitar right hand style more than the proper bass hand technique. Do you do this as well or have you adapted your right hand technique to the bass style over the years? Also... did you mod your epi head to gig bass through it? I tried it and it just completely distorts and doesn't grab the low like it should.
New Stuff BUMP.
Recently got asked to do a series of articles for Seymour Duncan Pickups. Pretty frickin' stoked and honored. So here's the 1st one:
JHALE....the stuff you put up on this thread has been of great help to me. my playing has made a massive leap in improvements since you shared this stuff with us. thanks.
Excellent thread. Never saw this one before. Great Thrills posts, too.
Hey...check out my new Japanese Kramer...
What pickups should I put in? It sounds good but feeds back too much.
It is so mint, I can't believe it. $250 all in.
You can't really go wrong with the Quarter Pounds. Very beefy, but they're true single coils and thus will be a bit noisy. The JB (and the Jr) is recommended for the bridge position. There's no law, however, that says you can't use a bridge pickup in the neck position. I'd recommend, if you get the JB Jr. try it in the neck, would probably sound better than it may in the middle position.
If you want something by Duncan for the neck and middle that's noise-cancelling but still sounds like a single coil (dummy coil is nowhere in the audio signal path), I've had good luck with the STK-S6 in the neck, and the STK-S4 in the middle.
Last edited by jhale667; 08-15-2015 at 06:37 AM.
Romeo Delight (08-16-2015)
Thanks Jay. I have no idea how this will sound, but I ordered the following last week:
Seymour DuncanSTK-S10 YJM Fury Stack Neck Pickup White
Seymour DuncanSSL-5 RW/RP Custom Staggered Single Coil Middle Pickup White
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