I don't know if anyone else here has called into their local radio to request the song, but I did this morning.
I don't know if anyone else here has called into their local radio to request the song, but I did this morning.
That worked in the day where radio stations were locally owned but those have been all bought up by big media companies and the corporation decides the format. Thank's to Bush thay all have a device where the government literally can take over the broadcast at will if they want. The DJ is no longer in charge of songs. They are given a script and told what to do. If you don't tow the line you get canned.
Just some random thoughts and comments...
I'm very happy that I'm listening to this song a lot because I genuinely like it... not because I'm trying to convince myself that I like it. All you want is for the lead off hitter to get on base... a single is fine... he doesn't need to hit a home run. IMO, it's got a great vibe and swagger to it... what more were people expecting. I mean let's be honest... Van Halen couldn't out do 'Fair Warning' even when they were in their prime... was there really any expectation that they would be able to do it 30 years later?
I could have did without the keyboards... it just begs for that old contention that Dave didn't want keyboards in VH. I don't think Dave ever had a problem with keyboards... i think he just made the correct point that Van Halen fans didn't want to come to a Van Halen concert and watch Ed's 'dead ass play the keyboard'... I mean fuck, would fans go to a Clapton, Beck, Hendrix (etc) concert and be happy to see them sit or stand at a keyboard? Fuck no.
Am I the only one who thinks that Ed's playing is a little subdued on the track... instead of using keyboards to add depth to the song, why not have Ed throw in some more fills. Maybe this is just a more disciplined Edward playing these days.
I am still convinced that Ted Templeman is the only producer who knows how to make David Lee Roth sound like 'David Lee Roth'.
No kidding, but there are still some smaller stations out there that you can call in and request and I did so on my local NJ station and they do play requests. The corporately owned ones will play a request if it is in their play list and at least on the Classic rock stations, this song probably is in the play list right now.
Mr. Walker! How the hell have you been?
Great to see ya bro.....
Diamond Mafia Forever - 4. To restore fullbug to the prominent place in this board, after various serious attacks by hitch1969 have now damaged his reputation and now is reguarded as a "Retarded, Stoned, Canadian, Dog finger bangin' fuckup"
I think Dave sounds fine... I love those deep, deep vocals mixed in the pre-chorus (just a funny thing to bring up... I was looking to see if Dave's book was available on Kindle and Amazon had this comment in their Dave bio "He is one of few vocalists with a larger than 4 octave range in full voice (from G1 to G♯5)"... suck on that Hagar you piece of whale shit).
Anybody else hear the chorus riff of 'Tears Are Falling' by KISS as the pre-c goes into the chorus?
First of all, what a joy it is to see fresh material coming from King Edward and Master Roth. It's great to see them happy, healthy and kicking. Whether the happiness is all an act or not (it sure as hell looks very real) it doesn't matter because they're back doing what they did better than anyone else in the history of rock music. OK, they're past their prime and there's an ugly history that will always exist and most likely cause some havoc again somewhere along the road.. but it's CVH and it's not dead when I always thought it was.
I do miss Mikey but as many others have said, if not for Wolfie this all might not be happening. He's the key to Eddie getting his ass/ttitude in gear. And he's not too bad on the bass.
Was always worried about the new material being too familiar almost. Not that Tattoo isn't typical VH, it is in a way, but Eddie's not gone back to find the CVH guitar sound. He progressed as a guitarist beyond the Roth-era regardless of the material and he's carried that sound and personality through in this track, and hopefully through the rest of the album. Yet still clever to pick bones out of some of the earlier unreleased stuff and Down In Flames is very much in this track.. a tribute almost.. and most certainly a big influence. My other worry was that Ed was going to take lead and dare to take any potential spotlight away from Roth.. not the case.. this is very Diamond Dave and you get a feel of some of the DLR-solo stuff, even in the way Eddie approaches things guitar-wise which is very interesting.
Love the lyrics. Witty, fun and proper Roth sarcasm which only he can deliver. Love that the guitar work isn't tense or too structured, it's very loose and relaxed.. love the bits when he drops out and lets the synth hover whilst Roth takes control then he kicks back in with some very simple but effective punchy power chords. Guitar solo is very improvisational and off-the-cuff which is very CVH. Van Hagar stuff was much more methodical and structured. I love both, but with Roth the raw improv style is so much better.
Thank you Van Halen for making the magic happen again.
BTW... I don't miss Michael Anthony at all.
I just watched the video again. Chill bumps again. That's a good sign. Ed looks great, they must all be getting along. F0r the first time since 1984 all is right with the world.
Video could have used a more prominent dancing tattoo chick... kinda like the one in the Danzig "She Rides" video.
Also... didn't need to see Dave doing the hula.
Stern played Tattoo this morning... gave it a thumbs up... more importantly Fred Norris did as well.
95.5 FM KLOS in Los Angeles is playing Tattoo every 95 minutes!
"Tattoo" keeps playing in my mind that's on repeat mode, can't help it!!
I dunno how to skip to another song, and Feb. 7th is way too far!
My first impression :"Tattoo" is better than CGTSNM and MWM, the pre chorus and the chorus are vicious...can't get off my mind, which is a good sign.
The song sounds like 1998's DLR band with a slightly better production...which is also an amazing thing because that's one of my favorites VH/DLR discs....
I can see this new single and the new album hitting the number one spot in the charts of the whole world!!!
Can't wait to see them rocking Brasil!!
I think its somewhat a miracle that the band was able to create something new despite everything these guys have gone through over the years:
Booze, babes, fame, money, drugs, more booze, solo ventures, first (and ugliest) breakup with Dave, hiring shitty replacement no. 1, breakup with replacement no. 1, "fake" reunion with Dave and second breakup with him, hiring shitty replacement no. 2, breakup with replacement no. 2, attempted reunion with Dave again, Eddie's divorce and cancer, Eddie's decent into Hobo/Meth land, shitty reunion tour with replacement no. 1, breakup with replacement no. 1 and with bass player, reunion tour with Dave through Eddie's struggles with alcoholism......
and here we are.
The band - Dave, Ed, Al and Wolf are all ready to rock and have delivered an honest and rocking song to kick things off.
Wow.
=V V=
ole No.1 The finest
EAT US AND SMILE
The funny thing is that I can't help but think that if all of this 'internet social networking you tube vimeo' shit was in place when VH released the "Oh! Pretty Woman" single on the heels of the 'Fair Warning' album, you'd be seeing the same amount of criticism that you are seeing in response to 'Tattoo'. In this day and age everyone with a computer/smartphone/tablet is a critic... not just those Elvis Costello looking motherfuckers.
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