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Thread: "The Ched Chunkhead Opens His Insufferable Piehole And Inserts Both Feet" Thread

  1. #1841
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    Too bad Sammy is only prolific with delusional statements and bland music.
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    Quote Originally Posted by NIN1211 View Post
    1985-1996.............The BLUNDER Years
    I wonder how it felt for Sammy to have to sing Dave songs on stage throughout his time keeping Dave's seat warm. No wonder he's such a bitter little man.
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    Quote Originally Posted by Jack68 View Post
    "As soon as this Dave thing blows over, you know, they obviously can’t make a record with him. He is dried up or not very prolific; something’s wrong there, obviously. So I’m the only choice to make a record. And that’s the only way I would do it. We’d have to make some new music. The fans deserve it. Van Halen’s got some of the best fans on the planet."

    Back and to the left....
    I can imagine Sammy just sitting at home, next to the phone waiting for it to ring, and for Eddie to come crawling back and beg him to do one last album. Keep waiting, Sam. Keep waiting.
    *cobwebs grow from Sam's head to the phone*

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  5. #1844
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    Spam would never come back without Mike...it aint happening
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    SH: What happened was, when Eddie heard my vocal range, he got inspired and started busting out keyboards. Because he would try to do it before and it wouldn’t work, because you have to sing a certain way to be a little more melodic. Dave was great with screaming over the top of a good hard riff—that’s his forte, and where his limitations were. Whereas I had more of a vocal range.

    I'm so tired of hearing this bullshit! And that IS what it is!

    David Lee Roth: G1-G♯5

    Sammy Hagar: E2-F♯5

    Add that shit up.... Singing higher doesn't mean more. He's a lying piece of shit and I'm tired of him getting away with it every fucking time he opens his peter beaters. Why doesn't the interviewer ever call him on his bullshit?

    And that bit about keyboards is priceless. "You have to sing a certain way to be more melodic"? PUHLEASE! "Just Like Paradise" is more melodic than anything that ass has ever written and its NOT A LOVE SONG!

    Now, I know it doesn't matter who has more range. Hell, I wouldn't care about it if it were true. I would still prefer CVH over Van Hagar. I just have a pet peeve where I can't stand it when people make provably false claims and don't get called on it. I don't care what the avenue whether its this delusional eunic and vocal range or some P.O.S. politician. It just bugs me.

    Sorry for venting!!!!
    Last edited by stringfelowhawk; 04-08-2012 at 07:08 PM.
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  8. #1846
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    Vent all you want. That fat bitter piece-of-shit has nothing of value to offer the world at present but his infantile bleatings which only demonstrate what an insecure, talentless little buttlicker he is.
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    Quote Originally Posted by Hardrock69 View Post
    Vent all you want. That fat bitter piece-of-shit has nothing of value to offer the world at present but his infantile bleatings which only demonstrate what an insecure, talentless little buttlicker he is.
    and I don't get tired of his bitter rants...it's so funny to watch him making an ass of himself...
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    Ha ha he's so obscure they even spell his name wrong.

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    Does he even play a note on that shitty red one humbuck guitar? Tell me this isn't a blatant money grab, fooling the public and using LOVE to make MONEY.

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    Random comments left after reading Sammy interview slamming new VH with old material...

    I saw an interview where joe had created a beautiful song. The band was excited to record it. I will give them a chance. Find the song. Sammy screaming poorly structured juvenile lyrics across a great song. Vh with dave is rooted with a bluesy voice. Hagar sounds like journey. I wanted to get joe satriani a sympathy card for feeding his song into the screaming garbage disposal that is sammy hagar.
    February 4, 2012 3:38 AM

    Fact: Sammy Hagar is a fat douche.
    Fact: Sammy Hagar needs to STFU.
    Fact: Sammy Hagar will never reach the level of stardom that only VH took him to.
    Fact: Nobody will remember Sammy Hagar in 40 years, so who cares.

    February 4, 2012 1:31 PM

    Hager should have reworked his old stuff because the new cd is nowhere to be found.
    February 5, 2012 12:14 PM

    Hager is a fat, angry, bitter, jealous, intimidated capri pant wearing 70 year old... Chkfeet are a collection of tards. Anthony, was the weakest link in VH...BYE BYE...Wolfie is better at 21.. Chad weak link in the peppers...Hager, well lets just say in all fairness, that when he was the recipient of the golden lottery ticket and was asked to join VH, every album VH released with fatty sold less than the 1 previous. Yes they went # 1, but they were riding the coattails of jump. The greatest hits with the two new Roth tunes sold more than all the Vanhager records except 5150...( thats gotta sting). Satriani, I give him respect, he deserves it, good guitar player, and a good guy. But he aint no Steve Vai and sure aint no Eddie.. Super Group?? Are you crazy.. The good news is all you feet peeps can catch the foot on tour at your local highschool cafateria tour this summer... Still plenty of tixx left....
    February 8, 2012 11:47 AM

    Bottom line the new van halen is rock solid and chickenfoot iii is very average.
    February 12, 2012 1:42 AM
    Last edited by Yount; 04-09-2012 at 06:29 AM.

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    flying Dave,



    kick it, fatso...


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    I also get tired of this "Dave doesn't do love songs" (like being able to do a love song is how you measure how good a band is anyway). What Dave doesn't do is those crap cookie-cutter schlock whiney love songs like Sammy (and all those other big-haired wannabes). He does way cooler (and more sensual IMHO) stuff like IASR or LG, or Hina solo. That other formulaic garbage is for radio stations without imagination.
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    Haggar has somehow managed to have bad taste in clothes in every decade so far.
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    Quote Originally Posted by DavidLeeNatra View Post
    flying Dave,



    kick it, fatso...

    There are a lot of people who make a living off of my name. The only interesting thing about Van Halen, after the music stops, is me. It's not that I do so much, it's that they do so goddamn little! - DLR 1997
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  22. #1855
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    Spot on

    Quote Originally Posted by Yount View Post
    Random comments left after reading Sammy interview slamming new VH with old material...

    I saw an interview where joe had created a beautiful song. The band was excited to record it. I will give them a chance. Find the song. Sammy screaming poorly structured juvenile lyrics across a great song. Vh with dave is rooted with a bluesy voice. Hagar sounds like journey. I wanted to get joe satriani a sympathy card for feeding his song into the screaming garbage disposal that is sammy hagar.
    February 4, 2012 3:38 AM

    Fact: Sammy Hagar is a fat douche.
    Fact: Sammy Hagar needs to STFU.
    Fact: Sammy Hagar will never reach the level of stardom that only VH took him to.
    Fact: Nobody will remember Sammy Hagar in 40 years, so who cares.

    February 4, 2012 1:31 PM

    Hager should have reworked his old stuff because the new cd is nowhere to be found.
    February 5, 2012 12:14 PM

    Hager is a fat, angry, bitter, jealous, intimidated capri pant wearing 70 year old... Chkfeet are a collection of tards. Anthony, was the weakest link in VH...BYE BYE...Wolfie is better at 21.. Chad weak link in the peppers...Hager, well lets just say in all fairness, that when he was the recipient of the golden lottery ticket and was asked to join VH, every album VH released with fatty sold less than the 1 previous. Yes they went # 1, but they were riding the coattails of jump. The greatest hits with the two new Roth tunes sold more than all the Vanhager records except 5150...( thats gotta sting). Satriani, I give him respect, he deserves it, good guitar player, and a good guy. But he aint no Steve Vai and sure aint no Eddie.. Super Group?? Are you crazy.. The good news is all you feet peeps can catch the foot on tour at your local highschool cafateria tour this summer... Still plenty of tixx left....
    February 8, 2012 11:47 AM

    Bottom line the new van halen is rock solid and chickenfoot iii is very average.
    February 12, 2012 1:42 AM
    I remember writing that Hager bein what he is and 70... I disliked him quite a bit that day, well, just like everyday...
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    Did you write that? Nice coincidence!

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    Real cool... Even cooler that a fellow roth and roller snatched it up.......

  25. #1858
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    Quote Originally Posted by Yount View Post
    three cock box 1 comment
    Hagar: "I'd love to be abducted. I'd sit on my deck at home waiting all night long to be abducted."
    Sounds like someone's itching for an anal probing.

    * 04/05/2011 08:49 PM

    AVC: You joined Van Halen in 1985, and the first song you wrote together was “Summer Nights,” which you describe as coming together quickly during your first jam session. Was your musical connection with Van Halen instantaneous?

    SH: That’s exactly what it was. I think the previous incarnation—if I may go there, I don’t even like to go there, but Ed and Al would write the music, Mikey would play along, and Ted Templeman would go and get with Dave and coach him through melodies and phrasings. When I came in, we didn’t need Ted Templeman or anybody. I had my scat together, and my melodic sense was good, because I could pick up a guitar and I’d work it out. We went on a rocketship then. The four of us were in the studio with Donn Landee, and we wrote songs like they were just pouring out of us. We got very prolific, and it wasn’t that way before, I guess.

    AVC: You claim that a psychic predicted the date of your first concert with Van Halen—March 27, 1986—months before you even joined the band.

    SH: Yeah. His name is Marshall Lever. I’ve got goosebumps on my arms now. Now you have fucked up, Steve. Last night, Marshall Lever called my house and left a message saying, “I woke up this morning and it was you in the newspaper, saying, ‘Sammy Abducted By Aliens.’ How are those aliens treating you, my friend?” And I haven’t heard from this guy for years. Now you are talking about Marshall. Yeah, he said that I was going to start a whole new thing that was going to be—well, not exactly, he used a different word—but it was going to be what I have done all along, but that it was going to be more intense. He was in his trance mode, and he would say, “You need to just go about your business and don’t try to make any changes. Everything has to happen in its own time. But on this date, you will start a new cycle of what you have been doing on a more intense level.” And, by God, he was dead on the fucking money.

    AVC: Van Halen started doing more love songs once you joined. Were you trying to broaden the band’s audience?

    SH: What happened was, when Eddie heard my vocal range, he got inspired and started busting out keyboards. Because he would try to do it before and it wouldn’t work, because you have to sing a certain way to be a little more melodic. Dave was great with screaming over the top of a good hard riff—that’s his forte, and where his limitations were. Whereas I had more of a vocal range. If you wanted to play a keyboard song, like “Love Walks In,” I can do it. And Eddie got all inspired, and started pulling ideas that he probably had sitting around for the last few years that he still dug that he never could present, or if he did present, went nowhere. You know, everybody’s like that. I’m a songwriter. I’ve got ideas in the closet that just didn’t work out with my band, that I think, “This is a great idea, it’s just the wrong guys.” Like if I were playing with Sting and Neil Peart, this song would be great, you know what I mean?

    I’ve always been into writing love songs. I would rather sing about my love affair or about a woman or to a woman than some guys any day. I’ve had my fill of “One Way To Rock” or “I Can’t Drive 55.” Those are guy songs to me, and I’m cool with that. But when you write a great love song and you start seeing that 50 percent of your audience is beautiful women, that’s much more rewarding, my friend, than having a bunch of guys out there. Trust me. So, I always liked a good love song and, you know, I dig being in love. Love is the shit, man. When you fall in love, everything’s great. You can have all the money in the world, all the cars, and the houses—but with no love life, man, you are sitting there, you’re bummed, you’re pissed off. You go, “Man, this sucks.” You could be in the gutter and fall in love with someone, and you feel great. That’s my honest opinion. I’ve witnessed both sides of that fence and being in love is where it’s at.

    AVC: The Van Halen brothers were upset when John McCain used “Right Now” during a campaign stop in 2008. But in your view, the song was being used to “inspire” people, so you were for it.

    SH: That’s what it was written for. And they were so wrong about that, to say that they didn’t want someone to use it for their campaign. Bullshit. This is pop music. You’ve got a candidate for president of the United States using it, that’s hitting the biggest audience you’re ever going to hit in your entire friggin’ life. And you don’t want that? Bullshit. That’s what you want. It’s not even for success or fortune, it’s because that’s the power of the song. I was honored by it. You know, those guys just went against it because I was for it, because I’m a co-writer, publisher of that song, so for it to get accepted, we had to sign off on it. I signed off in a second. “You bet that anyone can use this. I don’t care. You can use it for anything.” If it is to inspire people in the positive sense, I will okay it. They just didn’t like the fact that I okayed it. Believe me, man, once they turned on me, they turned on me in every respect.

    AVC: “Don’t Tell Me” actually sounds a bit like Nirvana. Did Van Halen make a mistake by trying to sound grungy instead of like Van Halen?

    SH: I loved that song, but man, it was dark. That song did nothing for Van Halen. The record was big—we always sold 4 or 5 million records no matter what we did. But that song didn’t take us anywhere, and I know why now. It wasn’t what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.

    AVC: You’ve said that you’d like to re-join Van Halen at some point. But after writing this book, is that realistic?

    SH: I’ve really thought this over, because I know this book is going to crush any possibility real soon, but that’s okay. I don’t want to try to force anything, because I’m really happy with Chickenfoot; my new record with them is phenomenal. I think it’s better than the first one, and I think our first record was killing. When they read this book, they are going to be pissed because this happened and they don’t want me telling everybody, but I had to. I’m writing my biography. It’s my business. This is what happened in my life, and I’m writing about it. For me to leave that out wouldn’t have been fair to the fans, you know? So I put the dirt in. I talked about the good times. Even the good times are going to piss some of these guys off, because their old ladies are going to say, “You dirty punk. You were hanging around with them. I know you did it.” And that’s unfair, but, you know, I’m going to get under the bus right with you boys.

    I really think that Van Halen has two choices if they want to continue. And maybe they don’t want to continue, because they don’t seem to do much. But they have two choices: Sam or Dave. If they tried to go out and get some young kid to sing my songs, it would be a disaster. The fans are not going to buy into that. Van Halen is too big to do that. As soon as this Dave thing blows over, you know, they obviously can’t make a record with him. He is dried up or not very prolific; something’s wrong there, obviously. So I’m the only choice to make a record. And that’s the only way I would do it. We’d have to make some new music. The fans deserve it. Van Halen’s got some of the best fans on the planet.

    You just love cashing the cheques, Scammy.

    Man just when you think this thread has run it's course someone finds something new where Spam turned the bitter, pathetic, and denial knobs up to 11.
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    Quote Originally Posted by BenJammin View Post
    Man just when you think this thread has run it's course someone finds something new where Spam turned the bitter, pathetic, and denial knobs up to 11.
    and he won't stop...

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    For anyone who isn't playing close attention, that article is over a year old.
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    Quote Originally Posted by Yount View Post
    AVC: Van Halen started doing more love songs once you joined. Were you trying to broaden the band’s audience?

    SH: What happened was, when Eddie heard my vocal range, he got inspired and started busting out keyboards. Because he would try to do it before and it wouldn’t work, because you have to sing a certain way to be a little more melodic. Dave was great with screaming over the top of a good hard riff—that’s his forte, and where his limitations were. Whereas I had more of a vocal range.
    This vocal range thing makes me mad every time I read it.

    If you have to screech to reach higher notes then that's not a natural vocal range.

    This is real musicality, Dave's singing Ashley Abernathy:

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    Dance the night away..."and I feel her from across the room"...Dave swings in the line, hits the scream, laughs about it and brings it home with the next line...Sam NEVER nailed a line like that in his whole career...as I said before...Pavarotti was fat, had a bigger range and was sporting a goatie...but I didn't want him to sing in VH either...

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    Quote Originally Posted by DavidLeeNatra View Post
    flying Dave,



    kick it, fatso...

    Guy no top-----make Mr.Miyagi proud
    Guy on bottom------Miyagi ashamed!
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    I've recently read a Chickenfoot interview in a german guitar magazine.

    First of all Hagar complains that he always had to do the arrangements in Van Hagar. Because EVH allegedly wasn't capable to do it. Hagar had to explain to EVH, this is a bridge, this is the chorus, play it twice for my lyrics. Something like that.

    Hagar about Tattoo. He doesn't like it because it's an outtake of an old 70's EVH idea. Not good enough for Diver Down or so. Dave sings horrible, Hagar says, Dave doesn't sing here, he mumbles.

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    Quote Originally Posted by Etienne View Post



    This is real musicality, Dave's singing Ashley Abernathy:

    AND WHAT A KIND OF HUMAN BEING HE IS

    AP, Sep 7, 2006 10:38 am PDT
    When Ashley Abernathy was 9 years old and suffering from leukemia, her spirits were lifted by a serenade from David Lee Roth.
    The former Van Halen frontman recorded a heart-rending tune especially for Ashley.

    "Who deals the cards? Ashley Abernathy," Roth sang. "Who steals your heart? Ashley Abernathy. Ashley Abernathy makes you happy!"

    "It was just amazing, really cool, to think that a rock star would've recorded a song for me," said Ashley, now 15 and starting 10th grade in Gastonia, N.C. Her leukemia has been in remission for almost five years.

    The song was produced by the Songs of Love Foundation, a Queens-based nonprofit that records personalized tunes for chronically or terminally ill children and young adults. This month, the foundation expects to reach a milestone with its 10,000th recording.

    The foundation plans to celebrate during a Black Eyed Peas concert Sept. 8, when it will enlist assembled fans to sing tune number 10,000. The song is for Saeed Boynes, 14, who has sickle cell anemia and is being treated at the Children's Hospital at Montefiore in the Bronx.

    Other artists who have worked with the foundation include Michael Bolton, Ronnie Spector, Jamie-Lynn Sigler, who plays Meadow Soprano on HBO's "The Sopranos," and the cast of the Broadway show "Titanic," according to the organization's Web site.

    The Songs of Love Foundation was founded in 1996 by John Beltzer, 46, a musician and songwriter whose Queens apartment doubles as a recording studio. It is named after a song written by Beltzer's brother Julio, who committed suicide 12 years earlier — the final act of a struggle with depression and schizophrenia.

    "I really believe that this was his gift," Beltzer said. "The seed he planted, after a 12-year incubation period, that seed sprouted in January 1996."

    Songs of Love works with hospitals and families around the country to identify a patient for whom the foundation can record a song.

    The child or young adult's family completes a biographical information sheet, which they send back to the foundation. The group then commissions someone from its team of songwriters to craft a tune based on those details — name, age, favorite hobbies — and within 25 days, the song is recorded, transferred to a CD and shipped to the child. The CD is given as a gift.

    Songwriters are offered a $75 to $100 stipend per song to help cover the costs of writing, producing and recording. The organization, which has 12 full- and part-time employees, is supported through individual and corporate donations and grants.

    The melodies aren't meant as musical get-well cards, but, as Beltzer describes it, serve as "a constant reinforcement of their healthy selves."

    Ashley Abernathy says her song still resonates with her.

    "I love listening to it," she said.

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    Quote Originally Posted by katina View Post

    Sep 7, .
    Hey...that's my birthday!



    LOL. Never in a million years would you expect to hear Dave say "Beanie Babies". The man never fails to deliver & surprise me. I think we picked a good one 30+ years ago to follow folks.
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    Quote Originally Posted by Guitar Shark View Post
    For anyone who isn't playing close attention, that article is over a year old.
    Ah I left that detail out on purpose, very shifty. It's 2011 I'm pretty sure. However these comments are not dissimilar to the ones he is currently making. Hagar throughout his career - despite being perhaps the luckiest man alive in the 80's (or unluckiest depending on how you look at it) - has always come across as an excuse maker, a liar, and a flat out shark businessman. Love is such and overused and exploited theme and is used by the Fat Wobbler to brainwash the general public. He thinks he's in the same league as VH & DLR, who (in my opinion) have risen to the top simply because their art is REAL. I can picture Sammy giving many a blow job and taking many an anal rod in the buttcheeks to get gigs and fame and any attention in the music bizz.

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    Quote Originally Posted by stringfelowhawk View Post
    SH: What happened was, when Eddie heard my vocal range, he got inspired and started busting out keyboards. Because he would try to do it before and it wouldn’t work, because you have to sing a certain way to be a little more melodic. Dave was great with screaming over the top of a good hard riff—that’s his forte, and where his limitations were. Whereas I had more of a vocal range.

    I'm so tired of hearing this bullshit! And that IS what it is!

    David Lee Roth: G1-G♯5

    Sammy Hagar: E2-F♯5

    Add that shit up.... Singing higher doesn't mean more. He's a lying piece of shit and I'm tired of him getting away with it every fucking time he opens his peter beaters. Why doesn't the interviewer ever call him on his bullshit?

    And that bit about keyboards is priceless. "You have to sing a certain way to be more melodic"? PUHLEASE! "Just Like Paradise" is more melodic than anything that ass has ever written and its NOT A LOVE SONG!

    Now, I know it doesn't matter who has more range. Hell, I wouldn't care about it if it were true. I would still prefer CVH over Van Hagar. I just have a pet peeve where I can't stand it when people make provably false claims and don't get called on it. I don't care what the avenue whether its this delusional eunic and vocal range or some P.O.S. politician. It just bugs me.

    Sorry for venting!!!!
    Little Girls can sing lower than Sammy Hagar. Ever hear him ONCE go low? It is called a "Range" people....Low TO High: Dave has it....Sammy Doesn't.





    1. 0:00 - Singing down to C♯2 in a backing vocal from "King Of The Hill" (1998), with some short notes up to E5 in there too!
    2. 0:17 - Sung C♯2s from "No Big 'Ting" (1994), Roth's attempt at reggae.
    3. 0:34 - A spoken bit from the end of "Indeedido" (1998) reaching C♯2 in full voice and G♯1 in vocal fry.
    4. 0:42 - A spoken section from "Counter-Blast" (1998), bottoming a C2.
    5. 0:54 - A C2 from "The Full Bug" (1982).
    6. 1:00 - Full voice notes down to C2 and fry down to G1 from "Tight" (1998).
    7. 1:11 - A low rap from the "You're Breathin' It" Urban NYC mix (1994), bottoming at B1.
    8. 1:29 - A short F♯5 and several strong low notes down to B1 from "Counter-Blast" (1998)!
    9. 1:34 - Some lows down to B1 from the very random vocal solo "Act One" (2003).
    10. 1:48 - The verse from "Tight" (1998), in which Roth features very strong low notes down to Bâ™*1 in full voice and E1 in fry.
    11. 2:16 - A breathy slide down to Bâ™*1 from "Experience" (1994).
    12. 2:21 - A slide down to Bâ™*1 from the end of "Wa Wa Zat!! (1998)"
    13. 2:29 - A great passage for low notes from the end of "Big Train" (1994). Bottoms at A1.
    14. 2:44 - A very long passage from "If 6 Was 9" (2003) that really showcases Roth's low range. Reaches A1 in full voice and E1 in fry.
    15. 4:11 - Low notes from the bridge of "Me Wise Magic" (1996), bottoming at A1 in full voice and F♯1 in fry.
    16. 4:31 - The verse of "Let It All Hang Out" (2003), which is an entire song full of spoken lows. This clip reaches G♯1 in full voice and E1 in fry.
    17. 4:55 - Strong G♯1s from "Little Texas" (1998).
    18. 5:01 - A spoken passage from the end of "If 6 Was 9" (2003), this time reaching G1.
    19. 5:08 - A very strong low passage from "Slam Dunk!" (1998), with several G♯1s and one that touches on G1!
    20. 5:23 - The last verse of "Let It All Hang Out" (2003), where Roth hits a full G1 in the last phrase, then slides down to an F♯1 in whispery fry.
    21. 5:34 - Roth's lowest fry note: a gurgly D1 from "Can't Get This Stuff No More" (1996).
    22. 5:43 - Now we begin with Roth's surprisingly extensive high range! First is some singing around D5 from "Counter-Blast" (1998).
    23. 5:54 - Formidable singing up to D5 from "Big Train" (1994).
    24. 6:04 - A strong D5 from the country version of "Jump" (2006).
    25. 6:09 - Entire lines at Eâ™*5 from the swing version of "Ice Cream Man" (2003)!
    26. 6:28 - Singing up to Eâ™*5 from "Indeedido" (1998).
    27. 6:49 - A surprisingly emotional(!) Eâ™*5 from "Experience" (1994).
    28. 6:54 - A whole line sung at E5 from "Little Texas" (1998)!
    29. 6:58 - A sustained E5 from the same song, with a whistle Eâ™*6 right after.
    30. 7:10 - A sustained E5 from the ending of "Blacklight" (1998).
    31. 7:16 - Multiple F5s from the end of "She's My Machine" (1994).
    32. 7:50 - Another set of numerous F5s from "Weekend With The Babysitter" (1998)!
    33. 8:14 - A glissando from Eâ™*2 to F5 from "Right Tool For The Job" (1998)!
    34. 8:19 - A strong but short F♯5 from the beginning of "A Lil' Ain't Enough" (1991).
    35. 8:25 - A short F♯5 from "King Of The Hill" (1998), followed by a short D5.
    36. 8:30 - Strong F♯5s and F5s from the ending of "Slam Dunk!" (1998).
    37. 8:46 - A shouted countdown from "Big Train" (1994), getting as high as G5.
    38. 8:52 - Several yelps from "You Got The Blues, Not Me..." (2003), hitting F♯5 several times and G5 once.
    39. 8:57 - A short G5 from "Me Wise Magic" (1996), right after a sung C♯2!
    40. 9:04 - A brief yelp from "Big Train" (1994), touching on Roth's highest full voice note: G♯5!
    41. 9:09 - Another G♯5, from "Weekend With The Babysitter" (1998)!
    42. 9:14 - A falsetto Bâ™*5 from "I'm The One" (1978).
    43. 9:19 - A non-modal F6 from "Goin' Crazy" (1986).
    44. 9:24 - Multiple whistle G♯6s from "You're No Good" (1979).
    45. 9:35 - A whistle A6 from "Hot For Teacher" (1984).
    46. 9:40 - A whistle Bâ™*6 from "Bottoms Up!" (1979).
    47. 9:45 - A short whistle C7 from "Elephant Gun" (1986).
    48. 9:52 - Roth's highest notes overall: whistle up to D7(!) in the background during "You Really Got Me" (1978).
    Last edited by SunisinuS; 04-09-2012 at 11:01 PM.
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    Holy shit SunisinuS how do you know all of that??

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    "We're dealing with a generation now when you say Sammy they think Sammy Hagar, not Sammy Davis Jr. That's unfortunate." - DLR

    Here today, gone later today.

    If you went out on the street, 9 in 10 would think you were talking about Sammy Newman. Footy beer pies.

  43. #1871
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    Quote Originally Posted by chi-town324 View Post
    Spam would never come back without Mike...it aint happening
    Wanna bet???

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    Quote Originally Posted by chi-town324 View Post
    Spam would never come back without Mike...it aint happening
    The businessman would throw his whole family under a bus for the chance to sell more liquor, I mean sing, I mean front for VH again.
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    Quote Originally Posted by DavidLeeNatra View Post
    Last edited by Seshmeister; 04-10-2012 at 10:51 AM.
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    Quote Originally Posted by Seshmeister View Post
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  49. #1876
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    Shesh

    "whose the blonde" with dem big titties in your sig???
    damn she be sweet....
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    Jennifer Lawrence and she's too young for you.

    http://www.nytimes.com/interactive/2...ors.html#index

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    Quote Originally Posted by Seshmeister View Post
    Jennifer Lawrence and she's too young for you.

    http://www.nytimes.com/interactive/2...ors.html#index
    Lol
    Truthfully I thought it was a clip from a Giallo or a slasher flick
    And I watch and own a good number of those flicks and would have liked to
    add this to my collection
    Now if only someone would produce and direct a slasher movie
    Where spatulas gets it from an Eddie on meth lookalike
    :-)

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    Quote Originally Posted by NIN1211 View Post
    Guy no top-----make Mr.Miyagi proud
    Guy on bottom------Miyagi ashamed!
    HOLY SHIT! Is that real or has it been shopped? It looks like he got up there pretty good for his age. Hell, for any age. Maybe he started the tour with the headset cause he needed clearance from Air Traffic Control!

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    I watched this and kept thinking about Hagar's shitty inspirational songs.

    Now I wish Mike, and the Bots would rip of Live without a net or some shit
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