Too bad Sammy is only prolific with delusional statements and bland music.
Too bad Sammy is only prolific with delusional statements and bland music.
Spam would never come back without Mike...it aint happening
SH: What happened was, when Eddie heard my vocal range, he got inspired and started busting out keyboards. Because he would try to do it before and it wouldn’t work, because you have to sing a certain way to be a little more melodic. Dave was great with screaming over the top of a good hard riff—that’s his forte, and where his limitations were. Whereas I had more of a vocal range.
I'm so tired of hearing this bullshit! And that IS what it is!
David Lee Roth: G1-G♯5
Sammy Hagar: E2-F♯5
Add that shit up.... Singing higher doesn't mean more. He's a lying piece of shit and I'm tired of him getting away with it every fucking time he opens his peter beaters. Why doesn't the interviewer ever call him on his bullshit?
And that bit about keyboards is priceless. "You have to sing a certain way to be more melodic"? PUHLEASE! "Just Like Paradise" is more melodic than anything that ass has ever written and its NOT A LOVE SONG!
Now, I know it doesn't matter who has more range. Hell, I wouldn't care about it if it were true. I would still prefer CVH over Van Hagar. I just have a pet peeve where I can't stand it when people make provably false claims and don't get called on it. I don't care what the avenue whether its this delusional eunic and vocal range or some P.O.S. politician. It just bugs me.
Sorry for venting!!!!
Last edited by stringfelowhawk; 04-08-2012 at 07:08 PM.
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Vent all you want. That fat bitter piece-of-shit has nothing of value to offer the world at present but his infantile bleatings which only demonstrate what an insecure, talentless little buttlicker he is.
Ha ha he's so obscure they even spell his name wrong.
Does he even play a note on that shitty red one humbuck guitar? Tell me this isn't a blatant money grab, fooling the public and using LOVE to make MONEY.
Random comments left after reading Sammy interview slamming new VH with old material...
I saw an interview where joe had created a beautiful song. The band was excited to record it. I will give them a chance. Find the song. Sammy screaming poorly structured juvenile lyrics across a great song. Vh with dave is rooted with a bluesy voice. Hagar sounds like journey. I wanted to get joe satriani a sympathy card for feeding his song into the screaming garbage disposal that is sammy hagar.
February 4, 2012 3:38 AM
Fact: Sammy Hagar is a fat douche.
Fact: Sammy Hagar needs to STFU.
Fact: Sammy Hagar will never reach the level of stardom that only VH took him to.
Fact: Nobody will remember Sammy Hagar in 40 years, so who cares.
February 4, 2012 1:31 PM
Hager should have reworked his old stuff because the new cd is nowhere to be found.
February 5, 2012 12:14 PM
Hager is a fat, angry, bitter, jealous, intimidated capri pant wearing 70 year old... Chkfeet are a collection of tards. Anthony, was the weakest link in VH...BYE BYE...Wolfie is better at 21.. Chad weak link in the peppers...Hager, well lets just say in all fairness, that when he was the recipient of the golden lottery ticket and was asked to join VH, every album VH released with fatty sold less than the 1 previous. Yes they went # 1, but they were riding the coattails of jump. The greatest hits with the two new Roth tunes sold more than all the Vanhager records except 5150...( thats gotta sting). Satriani, I give him respect, he deserves it, good guitar player, and a good guy. But he aint no Steve Vai and sure aint no Eddie.. Super Group?? Are you crazy.. The good news is all you feet peeps can catch the foot on tour at your local highschool cafateria tour this summer... Still plenty of tixx left....
February 8, 2012 11:47 AM
Bottom line the new van halen is rock solid and chickenfoot iii is very average.
February 12, 2012 1:42 AM
Last edited by Yount; 04-09-2012 at 06:29 AM.
flying Dave,
kick it, fatso...
I also get tired of this "Dave doesn't do love songs" (like being able to do a love song is how you measure how good a band is anyway). What Dave doesn't do is those crap cookie-cutter schlock whiney love songs like Sammy (and all those other big-haired wannabes). He does way cooler (and more sensual IMHO) stuff like IASR or LG, or Hina solo. That other formulaic garbage is for radio stations without imagination.
Haggar has somehow managed to have bad taste in clothes in every decade so far.
My karma just ran over your dogma.
Did you write that? Nice coincidence!
Real cool... Even cooler that a fellow roth and roller snatched it up.......
For anyone who isn't playing close attention, that article is over a year old.
ROTH ARMY MILITIA
Originally posted by EAT MY ASSHOLE
Sharky sometimes needs things spelled out for him in explicit, specific detail. I used to think it was a lawyer thing, but over time it became more and more evident that he's merely someone's idiot twin.
Dance the night away..."and I feel her from across the room"...Dave swings in the line, hits the scream, laughs about it and brings it home with the next line...Sam NEVER nailed a line like that in his whole career...as I said before...Pavarotti was fat, had a bigger range and was sporting a goatie...but I didn't want him to sing in VH either...
I've recently read a Chickenfoot interview in a german guitar magazine.
First of all Hagar complains that he always had to do the arrangements in Van Hagar. Because EVH allegedly wasn't capable to do it. Hagar had to explain to EVH, this is a bridge, this is the chorus, play it twice for my lyrics. Something like that.
Hagar about Tattoo. He doesn't like it because it's an outtake of an old 70's EVH idea. Not good enough for Diver Down or so. Dave sings horrible, Hagar says, Dave doesn't sing here, he mumbles.
AND WHAT A KIND OF HUMAN BEING HE IS
AP, Sep 7, 2006 10:38 am PDT
When Ashley Abernathy was 9 years old and suffering from leukemia, her spirits were lifted by a serenade from David Lee Roth.
The former Van Halen frontman recorded a heart-rending tune especially for Ashley.
"Who deals the cards? Ashley Abernathy," Roth sang. "Who steals your heart? Ashley Abernathy. Ashley Abernathy makes you happy!"
"It was just amazing, really cool, to think that a rock star would've recorded a song for me," said Ashley, now 15 and starting 10th grade in Gastonia, N.C. Her leukemia has been in remission for almost five years.
The song was produced by the Songs of Love Foundation, a Queens-based nonprofit that records personalized tunes for chronically or terminally ill children and young adults. This month, the foundation expects to reach a milestone with its 10,000th recording.
The foundation plans to celebrate during a Black Eyed Peas concert Sept. 8, when it will enlist assembled fans to sing tune number 10,000. The song is for Saeed Boynes, 14, who has sickle cell anemia and is being treated at the Children's Hospital at Montefiore in the Bronx.
Other artists who have worked with the foundation include Michael Bolton, Ronnie Spector, Jamie-Lynn Sigler, who plays Meadow Soprano on HBO's "The Sopranos," and the cast of the Broadway show "Titanic," according to the organization's Web site.
The Songs of Love Foundation was founded in 1996 by John Beltzer, 46, a musician and songwriter whose Queens apartment doubles as a recording studio. It is named after a song written by Beltzer's brother Julio, who committed suicide 12 years earlier — the final act of a struggle with depression and schizophrenia.
"I really believe that this was his gift," Beltzer said. "The seed he planted, after a 12-year incubation period, that seed sprouted in January 1996."
Songs of Love works with hospitals and families around the country to identify a patient for whom the foundation can record a song.
The child or young adult's family completes a biographical information sheet, which they send back to the foundation. The group then commissions someone from its team of songwriters to craft a tune based on those details — name, age, favorite hobbies — and within 25 days, the song is recorded, transferred to a CD and shipped to the child. The CD is given as a gift.
Songwriters are offered a $75 to $100 stipend per song to help cover the costs of writing, producing and recording. The organization, which has 12 full- and part-time employees, is supported through individual and corporate donations and grants.
The melodies aren't meant as musical get-well cards, but, as Beltzer describes it, serve as "a constant reinforcement of their healthy selves."
Ashley Abernathy says her song still resonates with her.
"I love listening to it," she said.
“Great losses often bring only a numb shock. To truly plunge a victim into misery, you must overwhelm him with many small sufferings.”
Ah I left that detail out on purpose, very shifty. It's 2011 I'm pretty sure. However these comments are not dissimilar to the ones he is currently making. Hagar throughout his career - despite being perhaps the luckiest man alive in the 80's (or unluckiest depending on how you look at it) - has always come across as an excuse maker, a liar, and a flat out shark businessman. Love is such and overused and exploited theme and is used by the Fat Wobbler to brainwash the general public. He thinks he's in the same league as VH & DLR, who (in my opinion) have risen to the top simply because their art is REAL. I can picture Sammy giving many a blow job and taking many an anal rod in the buttcheeks to get gigs and fame and any attention in the music bizz.
Little Girls can sing lower than Sammy Hagar. Ever hear him ONCE go low? It is called a "Range" people....Low TO High: Dave has it....Sammy Doesn't.
1. 0:00 - Singing down to C♯2 in a backing vocal from "King Of The Hill" (1998), with some short notes up to E5 in there too!
2. 0:17 - Sung C♯2s from "No Big 'Ting" (1994), Roth's attempt at reggae.
3. 0:34 - A spoken bit from the end of "Indeedido" (1998) reaching C♯2 in full voice and G♯1 in vocal fry.
4. 0:42 - A spoken section from "Counter-Blast" (1998), bottoming a C2.
5. 0:54 - A C2 from "The Full Bug" (1982).
6. 1:00 - Full voice notes down to C2 and fry down to G1 from "Tight" (1998).
7. 1:11 - A low rap from the "You're Breathin' It" Urban NYC mix (1994), bottoming at B1.
8. 1:29 - A short F♯5 and several strong low notes down to B1 from "Counter-Blast" (1998)!
9. 1:34 - Some lows down to B1 from the very random vocal solo "Act One" (2003).
10. 1:48 - The verse from "Tight" (1998), in which Roth features very strong low notes down to Bâ™*1 in full voice and E1 in fry.
11. 2:16 - A breathy slide down to Bâ™*1 from "Experience" (1994).
12. 2:21 - A slide down to Bâ™*1 from the end of "Wa Wa Zat!! (1998)"
13. 2:29 - A great passage for low notes from the end of "Big Train" (1994). Bottoms at A1.
14. 2:44 - A very long passage from "If 6 Was 9" (2003) that really showcases Roth's low range. Reaches A1 in full voice and E1 in fry.
15. 4:11 - Low notes from the bridge of "Me Wise Magic" (1996), bottoming at A1 in full voice and F♯1 in fry.
16. 4:31 - The verse of "Let It All Hang Out" (2003), which is an entire song full of spoken lows. This clip reaches G♯1 in full voice and E1 in fry.
17. 4:55 - Strong G♯1s from "Little Texas" (1998).
18. 5:01 - A spoken passage from the end of "If 6 Was 9" (2003), this time reaching G1.
19. 5:08 - A very strong low passage from "Slam Dunk!" (1998), with several G♯1s and one that touches on G1!
20. 5:23 - The last verse of "Let It All Hang Out" (2003), where Roth hits a full G1 in the last phrase, then slides down to an F♯1 in whispery fry.
21. 5:34 - Roth's lowest fry note: a gurgly D1 from "Can't Get This Stuff No More" (1996).
22. 5:43 - Now we begin with Roth's surprisingly extensive high range! First is some singing around D5 from "Counter-Blast" (1998).
23. 5:54 - Formidable singing up to D5 from "Big Train" (1994).
24. 6:04 - A strong D5 from the country version of "Jump" (2006).
25. 6:09 - Entire lines at Eâ™*5 from the swing version of "Ice Cream Man" (2003)!
26. 6:28 - Singing up to Eâ™*5 from "Indeedido" (1998).
27. 6:49 - A surprisingly emotional(!) Eâ™*5 from "Experience" (1994).
28. 6:54 - A whole line sung at E5 from "Little Texas" (1998)!
29. 6:58 - A sustained E5 from the same song, with a whistle Eâ™*6 right after.
30. 7:10 - A sustained E5 from the ending of "Blacklight" (1998).
31. 7:16 - Multiple F5s from the end of "She's My Machine" (1994).
32. 7:50 - Another set of numerous F5s from "Weekend With The Babysitter" (1998)!
33. 8:14 - A glissando from Eâ™*2 to F5 from "Right Tool For The Job" (1998)!
34. 8:19 - A strong but short F♯5 from the beginning of "A Lil' Ain't Enough" (1991).
35. 8:25 - A short F♯5 from "King Of The Hill" (1998), followed by a short D5.
36. 8:30 - Strong F♯5s and F5s from the ending of "Slam Dunk!" (1998).
37. 8:46 - A shouted countdown from "Big Train" (1994), getting as high as G5.
38. 8:52 - Several yelps from "You Got The Blues, Not Me..." (2003), hitting F♯5 several times and G5 once.
39. 8:57 - A short G5 from "Me Wise Magic" (1996), right after a sung C♯2!
40. 9:04 - A brief yelp from "Big Train" (1994), touching on Roth's highest full voice note: G♯5!
41. 9:09 - Another G♯5, from "Weekend With The Babysitter" (1998)!
42. 9:14 - A falsetto Bâ™*5 from "I'm The One" (1978).
43. 9:19 - A non-modal F6 from "Goin' Crazy" (1986).
44. 9:24 - Multiple whistle G♯6s from "You're No Good" (1979).
45. 9:35 - A whistle A6 from "Hot For Teacher" (1984).
46. 9:40 - A whistle Bâ™*6 from "Bottoms Up!" (1979).
47. 9:45 - A short whistle C7 from "Elephant Gun" (1986).
48. 9:52 - Roth's highest notes overall: whistle up to D7(!) in the background during "You Really Got Me" (1978).
Last edited by SunisinuS; 04-09-2012 at 11:01 PM.
Can't Control your Future. Can't Control your Friends. The women start to hike their skirts up. I didn't have a clue. That is when I kinda learned how to smile a lot. One Two Three Fouir fun ter thehr fuur.
Holy shit SunisinuS how do you know all of that??
"We're dealing with a generation now when you say Sammy they think Sammy Hagar, not Sammy Davis Jr. That's unfortunate." - DLR
Here today, gone later today.
If you went out on the street, 9 in 10 would think you were talking about Sammy Newman. Footy beer pies.
“The greatest enemy of knowledge is not ignorance, it is the illusion of knowledge.”― Stephen Hawking
Shesh
"whose the blonde" with dem big titties in your sig???
damn she be sweet....
Jennifer Lawrence and she's too young for you.
http://www.nytimes.com/interactive/2...ors.html#index
Lol
Truthfully I thought it was a clip from a Giallo or a slasher flick
And I watch and own a good number of those flicks and would have liked to
add this to my collection
Now if only someone would produce and direct a slasher movie
Where spatulas gets it from an Eddie on meth lookalike
:-)
I watched this and kept thinking about Hagar's shitty inspirational songs.
Now I wish Mike, and the Bots would rip of Live without a net or some shit
Still waiting for a relevant Browns Team
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