I mean, G3-type tours and settings would be the types of things that I tend to think would showcase Satriani's style the best, much in the way instrumental music where Satriani's guitar is the focal point would suit his style best in terms of studio work.
All of that isn't necessarily minimizing Satriani's technical ability, or musicianship, but the choice of Satriani for Chickenfoot just felt wrong from the get-go, even strictly on paper. Like, I can't imagine a longtime fan of Satriani's being happy Satriani was writing music with Sammy Hagar. As you said, that arrangement cheapens Satriani in terms of him wasting his talent...or putting what he is best at to one side in order to step into a traditional rock combo lineup and try and fill a role/style that isn't what he is best known for (and hasn't exactly raised a lot of enthusiasm for with either of the Chickenfoot releases).
All of that isn't necessarily minimizing Satriani's technical ability, or musicianship, but the choice of Satriani for Chickenfoot just felt wrong from the get-go, even strictly on paper. Like, I can't imagine a longtime fan of Satriani's being happy Satriani was writing music with Sammy Hagar. As you said, that arrangement cheapens Satriani in terms of him wasting his talent...or putting what he is best at to one side in order to step into a traditional rock combo lineup and try and fill a role/style that isn't what he is best known for (and hasn't exactly raised a lot of enthusiasm for with either of the Chickenfoot releases).
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