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Thread: Tom Verlaine...dead

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    Tom Verlaine...dead

    Tom Verlaine, Singer and Guitarist of Punk Legends Television, Dead at 73

    Emerging out of the CGBG era, Verlaine influenced the sound and songwriting of punk with 1977 masterpiece Marquee Moon

    Tom Verlaine, singer and guitarist for punk legends Television who crafted the band’s 1977 masterpiece Marquee Moon, has died at the age of 73.

    Jesse Paris Smith, the daughter of Patti Smith, confirmed Verlaine’s death Saturday following a “brief illness” to Rolling Stone. “He died peacefully in New York City, surrounded by close friends. His vision and his imagination will be missed,” Smith wrote.

    Born Thomas Miller in New Jersey, Verlaine (who adopted his last name from the French poet Tom Verlaine), was high school classmates with fellow punk icon Richard Hell, with whom he’d later form his earliest bans with. Arriving in Manhattan’s Lower East Side at the dawn of punk, Verlaine and Hell first teamed up for the short-lived act Neon Boys before co-founding Television in 1973 alongside guitarist Richard Lloyd.

    Verlaine and Television honed their sound as one of the premier acts at the legendary punk clubs like CBGB — establishing one of the earliest residencies at that venue — and Max’s Kansas City. Patti Smith was in the audience for one of Television’s early shows in 1974, and split the bill with Television when the Patti Smith Group made their CBGB the following year.

    Hell would soon leave Television to join fellow punk act the Heartbreakers. With Verlaine and Lloyd at the reins, the duo formed developed a guitar sound that merged punk riffs with jazz interplay. After making their recorded debut with the 1975 single “Little Johnny Jewel,” Television released what was their masterpiece — and one of the greatest albums of the punk era — Marquee Moon, the centerpiece of which was the album’s twisty, mesmerizing title track.

    “When the members of Television materialized in New York, at the dawn of punk, they played an incongruous, soaring amalgam of genres: the noirish howl of the Velvet Underground, brainy art rock, the double-helix guitar sculpture of Quicksilver Messenger Service,” Rolling Stone wrote of Marquee Moon, Number 107 on our list of the 500 Greatest Albums of All Time.

    “As exhilarating in its lyrical ambitions as the Ramones’ debut was in its brutal simplicity, Marquee Moon still amazes. ‘Friction,’ ‘Venus,’ and the mighty title track are jagged, desperate, and beautiful all at once. As for punk credentials, don’t forget the cryptic electricity and strangled existentialism of guitarist Tom Verlaine’s voice and songwriting.”

    https://www.rollingstone.com/music/m...it-1234670298/
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    Strange how Television is always related to punk... When you listen to the first album from 1977 and its follow-up from 1978, there isn't an ounce of punk in there.
    It's all about the guitars, in a refined melodic mode. Verlaine and Richard Lloyd were a really great guitar duet, their interwoven parts were splendid, and Billy Ficca
    on drums with Fred Smith on bass served the music of the band ideally.
    The only part of the cake my ears have always had serious trouble with was Tom Verlaine's voice.

    https://www.youtube.com/watch?v=7KvgP8MlEEE
    Last edited by Jérôme Frenchise; 01-30-2023 at 08:39 AM.
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    Much of the NY "punk" scene of the mid-late 70s wasn't really all that punk. The media just labeled it that because they had to call it something. It wasn't the bloated 20 minute solos type of rock that many 70s rock bands had devolved into. It wasn't disco (with the exception of a couple of Blondie's songs) and it damned sure wasn't country. Most of these bands were an extention of the Lou Reed/Velvet Underground/Andy Warhol "scene". Patti Smith was more like a female incarnation of Jim Morrison - a poet backed by a rock band, as opposed to a typical "rock singer".

    The Ramones were the only band out of that NY era that really fit the "punk" label. Maybe the Heartbreakers - as in Johnny Thunders' band (not Tom Petty's) but even they were just a New York Dolls spinoff. And they only were only around for a year or so, because junkies aren't all that good at keeping bands together.

    I was never a huge Television fan, but they were probably closer to jazz than punk, really.
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    Quote Originally Posted by FORD View Post
    Much of the NY "punk" scene of the mid-late 70s wasn't really all that punk. The media just labeled it that because they had to call it something. It wasn't the bloated 20 minute solos type of rock that many 70s rock bands had devolved into. It wasn't disco (with the exception of a couple of Blondie's songs) and it damned sure wasn't country. Most of these bands were an extention of the Lou Reed/Velvet Underground/Andy Warhol "scene". Patti Smith was more like a female incarnation of Jim Morrison - a poet backed by a rock band, as opposed to a typical "rock singer".

    The Ramones were the only band out of that NY era that really fit the "punk" label. Maybe the Heartbreakers - as in Johnny Thunders' band (not Tom Petty's) but even they were just a New York Dolls spinoff. And they only were only around for a year or so, because junkies aren't all that good at keeping bands together.

    I was never a huge Television fan, but they were probably closer to jazz than punk, really.
    I agree. I would add the MC5 and the Stooges to the list of real American punks. The glorious pioneers.

    As for Television, it's cruel to say so now Tom Verlaine has passed away, knowing he was the majoritary composer in the band,
    but if they didn't have more success it must have been because of his voice.

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