Steve Vai - His First 30 Years Documentary

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  • Seshmeister
    ROTH ARMY WEBMASTER

    • Oct 2003
    • 35160

    Steve Vai - His First 30 Years Documentary




    This is the first documentary covering Steve Vai's life from 1960 to 1990. (Co-written by Steve Vai.)
    The documentary has hundreds of Vai-centric facts and stories that even the most ardent fan will not have known. Complete with a Vai’esque quirky sense of humor, the video covers Vai’s life growing up, attending Berklee College, playing with several artists like Frank Zappa, Alcatrazz, the David Lee Roth band, and Whitesnake, the recording of both his solo albums Flex-Able and Passion and Warfare, plus Vai’s role in the movie Crossroads, and how he helped create the JEM guitar.

    Other information, photos, etc. can be found here: https://bit.ly/3B9P0ZH
    Link to Arlen Roth's SoundCloud https://bit.ly/3cLQHTL
    If you're a video editor and you want to edit like me, you need MotionVFX in your life. https://motionvfx.sjv.io/qndqXj

    00:00:00 - Intro to Steve Vai documentary
    00:00:36 - Steve Vai growing up in Carle Place, and his family
    00:01:20 - His first musical revelation
    00:01:53 - His love for the musical Westside Story
    00:02:35 - His first musical instrument
    00:03:11 - His first records
    00:04:09 - His first band is formed
    00:04:57 - His second band
    00:05:11 - He is introduced to Led Zeppelin
    00:05:52 - Steve Vai’s first guitar
    00:06:23 - Vai tells his Dad he wants to play the guitar
    00:06:54 - Taking lessons from Joe Satriani
    00:08:29 - Vai meets Bill Westcott
    00:09:08 - Vai plays the Tuba
    00:11:51 - Vai has one last blow-out before college
    00:12:19 - Vai almost gets busted by the cops
    00:13:04 - Vai’s ritual of the tuna melt
    00:13:46 - The worm had turned
    00:15:45 - One last drive around Carle Place
    00:16:27 - Steve Vai heads off to Berklee College of Music
    00:17:40 - Via meets his future wife, Pia
    00:18:16 - The first time he tried to connect with Frank Zappa
    00:18:51 - He talks to Zappa
    00:20:04 - Vai’s first mention in a music magazine
    00:20:29 - Vai considers leaving Berklee
    00:21:01 - Moving out to California
    00:21:47 - Transcribing Zappa’s music
    00:22:18 - Trying out for Frank Zappa’s band
    00:23:00 - Frank Zappa’s thoughts on Vai’s guitar playing
    00:23:37 - Vai goes on his first Zappa tour
    00:23:51 - Vai asks Zappa for an honest appraisal of his playing
    00:24:34 - Onset of Vai’s depression
    00:25:41 - Vai finds some help
    00:26:53 - Vai reclaims his mojo
    00:28:11 - The Palermo, Italy riot
    00:29:44 - What Vai learned from Zappa
    00:30:10 - The ethic he learned from Zappa
    00:31:43 - SYVA studio and FlexAble
    00:32:21 - Trying out for Alice Cooper
    00:33:12 - Building Stucco Blue Studio
    00:34:34 - Why the name FlexAble is the name of his first album
    00:35:44 - Why he said no to a record deal
    00:36:33 - The birth of Akashic and Urantia Records
    00:37:55 - FlexAble is released
    00:39:08 - Joining Alcatrazz
    00:40:14 - Alcatrazz works on their album
    00:40:54 - Alcatrazz’s God Bless Video
    00:41:58 - The movie Crossroads
    00:42:20 - Arlen Roth
    00:42:38 - The original duel
    00:43:29 - Ry Cooder calls Guitar Player magazine looking for talent
    00:43:52 - Vai is hired for the movie Crossroads
    00:44:20 - Vai did not want to be in the movie Crossroads
    00:44:51 - Shuggie Otis plays in the duel
    00:45:04 - Another Frank Zappa connection
    00:45:27 - Vai’s recycle riffs for Bad Horsie
    00:46:04 - Eugene’s Trick Bag and who played what
    00:46:26 - Niccolo Paganini’s connection to Crossroads
    00:47:09 - Steve Vai’s other acting gigs
    00:47:50 - Vai gets a call from David Lee Roth
    00:48:28 - David Lee Roth’s acting career and movie
    00:49:12 - Billy Sheehan steps in
    00:49:24 - Roth’s first choice of guitarist
    00:51:19 - Eat ‘Em and Smile
    00:52:04 - Guitar makers want Steve Vai
    00:52:42 - The creation of the Flame guitar and the Monkey Grip
    00:52:58 - Vai’s guitar is stolen
    00:53:09 - Vai goes to Performance Guitar
    00:53:23 - The prototype JEMs before Ibanez
    00:53:44 - Ibanez needs their own Eddie Van Halen
    00:54:39 - Vai’s request to all guitar companies
    00:55:35 - Steve Vai signs with Ibanez
    00:55:46 - Unveiling the Ibanez JEM
    00:55:56 - Why Vai named it the JEM guitar
    00:56:33 - David Lee Roth’s Skyscraper album
    00:57:58 - Billy Sheehan leaves the band
    00:58:32 - Just like Paradise and the show 90210
    00:59:06 - Vai turns in his resignation to Roth
    00:59:30 - Whitesnake comes along
    01:01:58 - The influence the Ibanez 7-string had over music
    01:02:42 - Vai turns his attention to Passion and Warfare
    01:03:59 - What was Passion and Warfare written around?
    01:05:47 - Sound effects on Passion and Warfare
    01:08:42 - The melody Vai has reused several times
    01:09:32 - Vai’s mastery in the studio
    01:10:55 - For the Love of God backstory
    01:13:22 - Finding a record deal for Passion and Warfare
    01:14:46 - Releasing Passion and Warfare
    01:15:16 - Critic response to Passion and Warfare
    01:15:44 - Why did he not tour for Passion and Warfare
  • twonabomber
    formerly F A T
    ROTH ARMY WEBMASTER

    • Jan 2004
    • 11191

    #2
    Vai's tech Elwood Francis is now the bassist in ZZ Top...
    Writing In All Proper Case Takes Extra Time, Is Confusing To Read, And Is Completely Pointless.

    Comment

    • Nitro Express
      DIAMOND STATUS
      • Aug 2004
      • 32797

      #3
      I remember when Steve Vai wrote for Guitar Player magazine several years before he worked with Roth. He was a talented transcriber who transcribed a lot of guitar music into notation and tab.
      No! You can't have the keys to the wine cellar!

      Comment

      • Nitro Express
        DIAMOND STATUS
        • Aug 2004
        • 32797

        #4
        I liked how it went when Dave went solo. Dave had a unique band and it was no Van Halen copy. It was definitely it’s own thing and how Sheehan and Vai played off each other was great. Nobody did anything like that before or since.
        No! You can't have the keys to the wine cellar!

        Comment

        • Seshmeister
          ROTH ARMY WEBMASTER

          • Oct 2003
          • 35160

          #5
          It says Walmart refused to stock Passion and Warfare because of the cover.

          I had to go back and look, I guess it was the porn of the angels/sprites? They don't even have nipples.

          Fucking nuts...

          Comment

          • Nitro Express
            DIAMOND STATUS
            • Aug 2004
            • 32797

            #6
            Vai never became a legend like EVH, Hendrix or SRV. That level of uniqueness is so rare. Vai was a gun fire hire and one talented enough to satisfy the hard to satisfy Frank Zappa. Vai replaced Yngwie and had to be good enough to play in Roth’s post VH band. Vai never was a rockstar. But what Vai was successful at was taking the resources he made from working for other people and doing his own thing as an independent artist. He has his niche and has made a good living doing it.
            No! You can't have the keys to the wine cellar!

            Comment

            • Vinnie Velvet
              Full Member Status

              • Feb 2004
              • 4579

              #7
              Originally posted by Nitro Express
              Vai never became a legend like EVH, Hendrix or SRV. That level of uniqueness is so rare. Vai was a gun fire hire and one talented enough to satisfy the hard to satisfy Frank Zappa. Vai replaced Yngwie and had to be good enough to play in Roth’s post VH band. Vai never was a rockstar. But what Vai was successful at was taking the resources he made from working for other people and doing his own thing as an independent artist. He has his niche and has made a good living doing it.
              Agreed. And thats a pretty remarkable thing to accomplish. Even by today's standards to still be relevant and able to draw in great crowds in theatres etc.
              =V V=
              ole No.1 The finest
              EAT US AND SMILE

              Comment

              • Seshmeister
                ROTH ARMY WEBMASTER

                • Oct 2003
                • 35160

                #8
                And actually still makes Dave early solo stuff still relevant among the millions of metal guitar players out there who are still learning and playing stuff from EEAS and Skyscraper.

                For that reason I think an EEAS band tour would sell better than a Dave solo tour at this point and there is room for it to be tuned down a step or two to help with Dave's vocals since it was originally recorded higher than Van Halen.

                Comment

                • ZahZoo
                  ROTH ARMY WEBMASTER

                  • Jan 2004
                  • 8967

                  #9
                  The difference with Vai compared to Hendrix and EVH is most of his music didn't gain the commercial and especially broad pop appeal to a wide range of audiences.

                  Technically Steve is right up there in unique playing ability with the legends... but outside of his stint with EEAS his music has been limited to smaller niche realms of rock with his time with Zappa and most of his solo work. Bottom line... he can play the strings off a guitar and compose masterful, scorching guitar wanking pieces... he just can't write catchy pop songs.
                  "If you want to be a monk... you gotta cook a lot of rice...”

                  Comment

                  • Kristy
                    DIAMOND STATUS
                    • Aug 2004
                    • 16337

                    #10
                    Just like Kenny Wayne Shepherd!

                    Comment

                    • Terry
                      TOASTMASTER GENERAL
                      • Jan 2004
                      • 11953

                      #11
                      Originally posted by Nitro Express
                      I remember when Steve Vai wrote for Guitar Player magazine several years before he worked with Roth. He was a talented transcriber who transcribed a lot of guitar music into notation and tab.
                      That was the first tab for Eruption I saw, that Vai one in Guitar Player magazine in either 1983 or 1984.

                      Never heard any of the stuff he did with Zappa I don't think. I've only listened to a small amount of what Zappa recorded.

                      I remember reading that Vai was tapped to replace Malmsteen in Alcatrazz, so I assumed he had to be good.

                      A bud of mine back then got the Flexible album, and I listened to it once or twice.

                      The first real exposure I had was the EEAS album. Back then, several years into playing myself and still totally into that 80s flash/EVH style of playing, hearing EEAS was a jaw dropper. Perhaps not quite as jaw dropping as when I first heard Yngwie on the Steeler album, but that combination of Vai and Sheehan on EEAS was a "holy shit!" reaction. Particularly since EEAS came out a few months after 5150, which was a disappointment to me. Honestly, EEAS to my ears was much more in the spirit of CVH than the totality of what Van Halen did with Hagar.

                      Think I saw Crossroads on HBO/Cinemax/Showtime/The Movie Channel later in 1986, or maybe early 1987...whenever it was. An okay movie. Having the Karate Kid came across a bit lame even back then, but the guitar duel at the end was cool.

                      Skyscraper was good. Not as good as EEAS. Felt that way back then, still feels that way today. Skyscraper did have a few great Roth solo tracks, no doubt. Wasn't start-to-finish great, though.

                      Didn't much care for the album Vai did with Whitesnake.

                      Listened to Passion And Warfare a few times when it first came out. By the time the 1990s began, I wasn't really listening to shred rock anymore and was working on other aspects of guitar playing-wise besides the Totally Bitching Everything And The Kitchen Sink Ultimate Flash Guitar Solo. Haven't listened to anything Vai has done since Passion And Warfare was released.
                      Scramby eggs and bacon.

                      Comment

                      • Terry
                        TOASTMASTER GENERAL
                        • Jan 2004
                        • 11953

                        #12
                        I hesitate to call Vai a 'technician' or a 'flash guitar shredder for hire' because it probably wouldn't be fair to sum up the entirety of his abilities that way, especially since I haven't heard anything he has done since 1990.

                        Fantastic player, though. I think the one thing that is sort of along the lines of what ZahZoo said, is that Vai never was adept at writing catchy pop songs...or particularly catchy rock songs, either. I don't really know the breakdown of who did what musically on EEAS far as the writing went other than the published songwriting credits, but as far as the tunes went, the ones that were original and stand out to me today are Ladies' Night In Buffalo? and Goin' Crazy! Mostly because with those tracks they seem to have a purpose both beyond being merely skeletons for Vai to lay down (yet another) blistering speedy solo and the solos themselves are memorable and melodic. In other words, both have something other than Vai merely showing off his considerable ability.
                        Scramby eggs and bacon.

                        Comment

                        • Terry
                          TOASTMASTER GENERAL
                          • Jan 2004
                          • 11953

                          #13
                          Originally posted by Kristy
                          Just like Kenny Wayne Shepherd!
                          Ugh.

                          That kid came off like a Banana Republic version of Steve Ray Vaughan to me from the get-go. Too white, too milk-fed, too pretty and too safe to be anything other than a practitioner of the blues at best. Doubtless he knows all the 'right' blues scale notes. Doubtless he knows just when the cameras are on him so he can soulfully close his eyes in an expression of 'emoting' while he kills those blues pentatonic runs.

                          He's the type of blues player acceptable for fans of bands like Train, Dave Matthews, Matchbox 20 and the like when they feel like getting 'down and dirty' by listening to some 'blues'...a culture appropriator before the term was even coined.

                          I mean, Elvis Presley ripped off blues guys, too. But at least Elvis went on to get wasted on pills and bloated on fried peanut butter and bacon sandwiches and experience some real-life blues. Without knowing much of anything about Shepherd's career post mid-1990s, I'd be willing to wager his lifestyle still reflects his music: safe and soothing as a glass of unsweetened iced tea or 2% milk. And that's totally understandable, because addictions and depression are something a reasonable person would want to avoid.
                          Scramby eggs and bacon.

                          Comment

                          • twonabomber
                            formerly F A T
                            ROTH ARMY WEBMASTER

                            • Jan 2004
                            • 11191

                            #14
                            Originally posted by Terry
                            Ugh.

                            That kid came off like a Banana Republic version of Steve Ray Vaughan to me from the get-go.

                            And when KWS toured with VH the last time around, he had SRV's rhythm section backing him.
                            Writing In All Proper Case Takes Extra Time, Is Confusing To Read, And Is Completely Pointless.

                            Comment

                            • Terry
                              TOASTMASTER GENERAL
                              • Jan 2004
                              • 11953

                              #15
                              Originally posted by twonabomber
                              And when KWS toured with VH the last time around, he had SRV's rhythm section backing him.
                              Not a shock, I suppose. Good work for SRV's rhythm section, too.

                              Yeah, that kid rubbed me the wrong way the first time I saw him on tv in the mid-1990s and heard phrases like 'blues prodigy' attached to him...the kid wasn't even old enough to drink legally yet, and his upbringing hardly sounded like it was on 'the wrong side of the tracks'...SRV at least went through some shit in his life to get blue about and paid some dues along the way before he made it.

                              Nice for KWS that he still has whatever career he has. Doubtless he comes off as an authentic bluesman to whoever still reads Guitar World magazine these days.

                              I see he had married one of Mel Gibson's daughters. I'm sure his love for a style of music rooted in the experience of Black America made for many an interesting conversation at the Mel Gibson house around the holidays...
                              Scramby eggs and bacon.

                              Comment

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