Nitro Express
02-18-2008, 03:05 AM
One guy on net net said he was getting the VH II tone by running the extension speaker output on a Fender Bandmaster into the front of a Marshall Plexi. The Fender Bandmaster puts out a low level signal from the extension speaker jack if the main speaker is disconnected. Aparently this is what Eddie would do at home to get his overdriven sound without blowing the house away.
I don't have a Fender Bandmaster but I have a old Alembic bass preamp based on the Fender Dual Showman circuit and a 100 watt Metropaulos 67 plexi. I bridged both channels of the Alembic to cascade the gain and ran it into the front of the Metroamp and got the sound. I think Ed was running two amps together with the lower input of one going into the front of his plexi. No wonder a dimed out Marshall doesn't get the sound. You have to have a Fender circuit pushed into distortion feeding the Marshall. In other words, the Fender amp works like a distortion peddle.
So Ed really was using cascading gain stages in the early days.
I don't have a Fender Bandmaster but I have a old Alembic bass preamp based on the Fender Dual Showman circuit and a 100 watt Metropaulos 67 plexi. I bridged both channels of the Alembic to cascade the gain and ran it into the front of the Metroamp and got the sound. I think Ed was running two amps together with the lower input of one going into the front of his plexi. No wonder a dimed out Marshall doesn't get the sound. You have to have a Fender circuit pushed into distortion feeding the Marshall. In other words, the Fender amp works like a distortion peddle.
So Ed really was using cascading gain stages in the early days.