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I had to laugh after reading this guys review on michael anthony as a bass player, then to make it even better more idiots posted likewise follow ups.
Michael Anthony Van Halen's Bass Supreme
Posted by Wally Bangs on January 13, 2005 05:26 PM (See all posts by Wally Bangs)
Filed under: Music, Music: Rock - Scroll down to read comments on this story and/or add one of your own.
heres the link and below the article:
link:
Article:
Van Halen
Van Halen
Music from Warner Bros / Wea
Release date: 19 September, 2000
After reading something recently about how great Paul McCartney was on bass I feel compelled to tell my own story about the underappreciated bass playing of one Michael Anthony. During my high school days my favorite artists were a mix of heavy metal and punk rock leavened with a dose of classics like the Who, Kinks, Stones, Dylan, and the Beatles. I was making mix tapes before I even knew the term, with segue ways between Black Flag and Van Halen, without even understanding how ironic and post modern some of the rock world’s more intellectual weenie type critics would take something like that. I just knew what I liked and the hell with anything else. Creem magazine was my magazine of choice and it led me to the holy altar of all that was great about rock and roll. One of the artists they seemed to like as much as myself was the juggernaut known as Van Halen. Whether it was true or just for sales circulations I can’t say, but I know they were featured often. In fact there were at least two special issues devoted exclusively to Van Halen during the David Lee Roth era.
When I wasn’t listening to the Clash, I was listening to Van Halen with the sound turned up to 11. I can’t get any lawyers to believe me, but years before Spinal Tap came out I had magic markered an 11 on my stereo volume dial because I had a loose knob (sounds like a joke should be said here). The one part of Van Halen’s sound I was mostly oblivious to was the great Michael Anthony’s bass fretwork pyrotechnics. Pyrotechnics is overstating it; it’s more like mortar shell sabotage since it’s still hard to notice. A nice set of headphones and some remastered compact discs or mint condition vinyl should lead one to give Michael Anthony some long overdue kudos. Before Eddie Van Halen joined the Neal Schon wannabe club, he was all over the place with his guitar playing, especially on the earlier albums when overdubs were kept to a minimum. Anthony kept the bedrock steady, and was unafraid to venture within the songs’ confines, often going to the edge where he’d look down and wonder just what song Alex Van Halen thought he was playing.
Michael always got a solo in the Van Halen live shows and I will have to admit not being very impressed with those. He usually got his Jack Daniel’s bass out and that was enough to get the party hearty crowd going before he even strummed a single note. Once he hit a single note, the crowd got even more fired up, so he basically played this single note over and over until he got tired. It’s a mark of rare genius to know when showmanship trumps ability. He saved his best moves for the studio and the world is all the better for it. Plus, if you get really bored and want to play a game of musical mix and match, just think if he had been the Beatle’s bassist instead of Paul. The possibilities of amusement are endless
Visit Soulfish Stew for more crazy talk
More fine reading at Blogcritics.org. Scroll down to read comments on this story and/or add one of your own. Support Blogcritics.org by shopping at Amazon.com from this page.
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Posted by Wally Bangs on January 13, 2005 05:26 PM (See all posts by Wally Bangs)
Filed under: Music, Music: Rock
Wally Bangs's personal blog
Comment on this post and/or leave a message for the author here.
Comment 1 posted by Paul Roy on January 13, 2005 06:41 PM:
He sure did get screwed in the mixes of those early albums. He's only a pretty average bassist if you ask me, and his solos were definately lame, but he was part of one of the greatest rock bands of the 80's for sure.
Comment 2 posted by Mark Saleski on January 14, 2005 03:36 PM:
michael anthony's real contribution to the Van Halen sound was his backing vocals. all of those nice high parts completed the vocal signature.
Comment 3 posted by wally bangs on January 14, 2005 05:43 PM:
Paul Roy - I have to agree that Van Halen were one of the best bands of the 80's. One of the highlights of my high school days was getting to see the 1984 tour.
Mark Saleski - The backing vocals are a huge part of Van Halen's appeal. The virtual blueprint of all the pop hair metal to come. Funny though, I remember an interview right after Dave was booted for Sammy where Eddie and Alex claim they had always wanted Sammy for the band instead of Dave and that now they could provide vocal harmonies in the proper pitch - or something to that nature.
Comment 4 posted by Brian C on January 19, 2005 04:00 PM:
Michael Anthony is one of the main reasons I picked up the bass. The walking, bouncing basslines Mike played on the early albums were incredible. Mike always played for the song, though. When you listen to the basslines in songs such as "Mean Street" or "So This is Love" and contrast that to "Runnin' with the Devil" you recognize that Mike's definitely a rhythm section player -- he leaves the flashy finger-tappin' stuff to that other guy in the band. Oh yeah, I'd like to see McCartney down a bottle of Jack and crank the effects to... well... eleven!
Michael Anthony Van Halen's Bass Supreme
Posted by Wally Bangs on January 13, 2005 05:26 PM (See all posts by Wally Bangs)
Filed under: Music, Music: Rock - Scroll down to read comments on this story and/or add one of your own.
heres the link and below the article:
link:
Article:
Van Halen
Van Halen
Music from Warner Bros / Wea
Release date: 19 September, 2000
After reading something recently about how great Paul McCartney was on bass I feel compelled to tell my own story about the underappreciated bass playing of one Michael Anthony. During my high school days my favorite artists were a mix of heavy metal and punk rock leavened with a dose of classics like the Who, Kinks, Stones, Dylan, and the Beatles. I was making mix tapes before I even knew the term, with segue ways between Black Flag and Van Halen, without even understanding how ironic and post modern some of the rock world’s more intellectual weenie type critics would take something like that. I just knew what I liked and the hell with anything else. Creem magazine was my magazine of choice and it led me to the holy altar of all that was great about rock and roll. One of the artists they seemed to like as much as myself was the juggernaut known as Van Halen. Whether it was true or just for sales circulations I can’t say, but I know they were featured often. In fact there were at least two special issues devoted exclusively to Van Halen during the David Lee Roth era.
When I wasn’t listening to the Clash, I was listening to Van Halen with the sound turned up to 11. I can’t get any lawyers to believe me, but years before Spinal Tap came out I had magic markered an 11 on my stereo volume dial because I had a loose knob (sounds like a joke should be said here). The one part of Van Halen’s sound I was mostly oblivious to was the great Michael Anthony’s bass fretwork pyrotechnics. Pyrotechnics is overstating it; it’s more like mortar shell sabotage since it’s still hard to notice. A nice set of headphones and some remastered compact discs or mint condition vinyl should lead one to give Michael Anthony some long overdue kudos. Before Eddie Van Halen joined the Neal Schon wannabe club, he was all over the place with his guitar playing, especially on the earlier albums when overdubs were kept to a minimum. Anthony kept the bedrock steady, and was unafraid to venture within the songs’ confines, often going to the edge where he’d look down and wonder just what song Alex Van Halen thought he was playing.
Michael always got a solo in the Van Halen live shows and I will have to admit not being very impressed with those. He usually got his Jack Daniel’s bass out and that was enough to get the party hearty crowd going before he even strummed a single note. Once he hit a single note, the crowd got even more fired up, so he basically played this single note over and over until he got tired. It’s a mark of rare genius to know when showmanship trumps ability. He saved his best moves for the studio and the world is all the better for it. Plus, if you get really bored and want to play a game of musical mix and match, just think if he had been the Beatle’s bassist instead of Paul. The possibilities of amusement are endless
Visit Soulfish Stew for more crazy talk
More fine reading at Blogcritics.org. Scroll down to read comments on this story and/or add one of your own. Support Blogcritics.org by shopping at Amazon.com from this page.
--------------------------------------------------------------------------------
Posted by Wally Bangs on January 13, 2005 05:26 PM (See all posts by Wally Bangs)
Filed under: Music, Music: Rock
Wally Bangs's personal blog
Comment on this post and/or leave a message for the author here.
Comment 1 posted by Paul Roy on January 13, 2005 06:41 PM:
He sure did get screwed in the mixes of those early albums. He's only a pretty average bassist if you ask me, and his solos were definately lame, but he was part of one of the greatest rock bands of the 80's for sure.
Comment 2 posted by Mark Saleski on January 14, 2005 03:36 PM:
michael anthony's real contribution to the Van Halen sound was his backing vocals. all of those nice high parts completed the vocal signature.
Comment 3 posted by wally bangs on January 14, 2005 05:43 PM:
Paul Roy - I have to agree that Van Halen were one of the best bands of the 80's. One of the highlights of my high school days was getting to see the 1984 tour.
Mark Saleski - The backing vocals are a huge part of Van Halen's appeal. The virtual blueprint of all the pop hair metal to come. Funny though, I remember an interview right after Dave was booted for Sammy where Eddie and Alex claim they had always wanted Sammy for the band instead of Dave and that now they could provide vocal harmonies in the proper pitch - or something to that nature.
Comment 4 posted by Brian C on January 19, 2005 04:00 PM:
Michael Anthony is one of the main reasons I picked up the bass. The walking, bouncing basslines Mike played on the early albums were incredible. Mike always played for the song, though. When you listen to the basslines in songs such as "Mean Street" or "So This is Love" and contrast that to "Runnin' with the Devil" you recognize that Mike's definitely a rhythm section player -- he leaves the flashy finger-tappin' stuff to that other guy in the band. Oh yeah, I'd like to see McCartney down a bottle of Jack and crank the effects to... well... eleven!
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