The Sheep Pen

[Dan]

Anyone For Tarts And Darts?

[BITEYOASS]

This is what to say if you ever encounter a sheep whose broken down & dirty, dressed in rags:

[tjvhou812]

does it seem cold in here to you

[Matt White]

Yup....fire up that space heater.....


No no....not the "Ovens" ED.......you silly Fucker......"all in good time"

They will come...and we will be ready

[Dan]

LEFTY,I Love Youuuuuuuuuuuuuuu.

[Matt White]

arguing with these sheep right now is like.....well you know.

fun????????????

[BITEYOASS]

fun????????????

Yeah, but recently all I do when confronted by one is laugh my ass off.

[Matt White]

Yeah, but recently all I do when confronted by one is laugh my ass off.

Understable....but unadulterated enthusiasm is what the SHEEP PEN was built on...........

Calling out Hagar Sheepeople? It's in our DNA..................can't and won't be helped...........

It's who we are...as much as any Front Liner feels the need to beat their own Political Leanings into a few skulls on a daily basis...or any DM HAS to post PRON every chance they get....it's IN THE BLOOD!!!

[Dan]

Are You Sharing That Sheep? No,Get Your Own.

[BITEYOASS]

Well if you all wanna take care of the pocket of sheep resistance left over, then be my guest. Because right now I'm more concentrated on defeating the drooling, mouth-breathing Nickelback dipshits.

[binnie]

I think if we neutered everyone who bought a Nickleback album, the world would be a better place.

Souless, balless, nauseating lower-common-denominator rock for the masses.

[Dan]

Sheep Pen 24/7 All Around The World.

[BITEYOASS]

Sheep Pen 24/7 All Around The World.

They can run, but they can't hide!

[SunisinuS]

Here is one for the Fucking Sheep. Russell watch 'em.



Uploaded by Thetarantinomaniac on Jun 23, 2011


As tribute to the man who first got me interested in notewatching (that is to say Jowox), here's my more thorough and accurate remake of his range video for David Lee Roth. Many would deny that Roth ever had more than two octaves, but the fact remains that he is one of the only singers to record OVER four octaves in full voice. During his early days with Van Halen, his range was indeed much more average. It was around the '90s that his full voice expanded, and from there he heavily applied it to his recordings. Roth's high baritone voice itself has remained remarkably unchanged throughout the years; his timbre still sounds almost exactly like it did in the '70s. However, his low range has expanded tremendously, sometimes making him sound like a bass.

1. 0:00 - Singing down to C♯2 in a backing vocal from "King Of The Hill" (1998), with some short notes up to E5 in there too!
2. 0:17 - Sung C♯2s from "No Big 'Ting" (1994), Roth's attempt at reggae.
3. 0:34 - A spoken bit from the end of "Indeedido" (1998) reaching C♯2 in full voice and G♯1 in vocal fry.
4. 0:42 - A spoken section from "Counter-Blast" (1998), bottoming a C2.
5. 0:54 - A C2 from "The Full Bug" (1982).
6. 1:00 - Full voice notes down to C2 and fry down to G1 from "Tight" (1998).
7. 1:11 - A low rap from the "You're Breathin' It" Urban NYC mix (1994), bottoming at B1.
8. 1:29 - A short F♯5 and several strong low notes down to B1 from "Counter-Blast" (1998)!
9. 1:34 - Some lows down to B1 from the very random vocal solo "Act One" (2003).
10. 1:48 - The verse from "Tight" (1998), in which Roth features very strong low notes down to Bâ™1 in full voice and E1 in fry.
11. 2:16 - A breathy slide down to Bâ™1 from "Experience" (1994).
12. 2:21 - A slide down to Bâ™1 from the end of "Wa Wa Zat!! (1998)"
13. 2:29 - A great passage for low notes from the end of "Big Train" (1994). Bottoms at A1.
14. 2:44 - A very long passage from "If 6 Was 9" (2003) that really showcases Roth's low range. Reaches A1 in full voice and E1 in fry.
15. 4:11 - Low notes from the bridge of "Me Wise Magic" (1996), bottoming at A1 in full voice and F♯1 in fry.
16. 4:31 - The verse of "Let It All Hang Out" (2003), which is an entire song full of spoken lows. This clip reaches G♯1 in full voice and E1 in fry.
17. 4:55 - Strong G♯1s from "Little Texas" (1998).
18. 5:01 - A spoken passage from the end of "If 6 Was 9" (2003), this time reaching G1.
19. 5:08 - A very strong low passage from "Slam Dunk!" (1998), with several G♯1s and one that touches on G1!
20. 5:23 - The last verse of "Let It All Hang Out" (2003), where Roth hits a full G1 in the last phrase, then slides down to an F♯1 in whispery fry.
21. 5:34 - Roth's lowest fry note: a gurgly D1 from "Can't Get This Stuff No More" (1996).
22. 5:43 - Now we begin with Roth's surprisingly extensive high range! First is some singing around D5 from "Counter-Blast" (1998).
23. 5:54 - Formidable singing up to D5 from "Big Train" (1994).
24. 6:04 - A strong D5 from the country version of "Jump" (2006).
25. 6:09 - Entire lines at Eâ™5 from the swing version of "Ice Cream Man" (2003)!
26. 6:28 - Singing up to Eâ™5 from "Indeedido" (1998).
27. 6:49 - A surprisingly emotional(!) Eâ™5 from "Experience" (1994).
28. 6:54 - A whole line sung at E5 from "Little Texas" (1998)!
29. 6:58 - A sustained E5 from the same song, with a whistle Eâ™6 right after.
30. 7:10 - A sustained E5 from the ending of "Blacklight" (1998).
31. 7:16 - Multiple F5s from the end of "She's My Machine" (1994).
32. 7:50 - Another set of numerous F5s from "Weekend With The Babysitter" (1998)!
33. 8:14 - A glissando from Eâ™2 to F5 from "Right Tool For The Job" (1998)!
34. 8:19 - A strong but short F♯5 from the beginning of "A Lil' Ain't Enough" (1991).
35. 8:25 - A short F♯5 from "King Of The Hill" (1998), followed by a short D5.
36. 8:30 - Strong F♯5s and F5s from the ending of "Slam Dunk!" (1998).
37. 8:46 - A shouted countdown from "Big Train" (1994), getting as high as G5.
38. 8:52 - Several yelps from "You Got The Blues, Not Me..." (2003), hitting F♯5 several times and G5 once.
39. 8:57 - A short G5 from "Me Wise Magic" (1996), right after a sung C♯2!
40. 9:04 - A brief yelp from "Big Train" (1994), touching on Roth's highest full voice note: G♯5!
41. 9:09 - Another G♯5, from "Weekend With The Babysitter" (1998)!
42. 9:14 - A falsetto Bâ™5 from "I'm The One" (1978).
43. 9:19 - A non-modal F6 from "Goin' Crazy" (1986).
44. 9:24 - Multiple whistle G♯6s from "You're No Good" (1979).
45. 9:35 - A whistle A6 from "Hot For Teacher" (1984).
46. 9:40 - A whistle Bâ™6 from "Bottoms Up!" (1979).
47. 9:45 - A short whistle C7 from "Elephant Gun" (1986).
48. 9:52 - Roth's highest notes overall: whistle up to D7(!) in the background during "You Really Got Me" (1978).

[Dan]

Tonight We Drink And Sink Some Pink.

Welcome Back,Sheep Pen Brother Bill.

After 4 Years On The WHAM World Tour,He is Back For Good.