Rolling Stone Reviews the July 3 Show

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  • bluedog
    Full On Cocktard
    • Jan 2004
    • 32

    Rolling Stone Reviews the July 3 Show

    Don’t ridicule me, I’m just posting this for interested parties –

    The Rolling Stone Review

    Issue 954 – August 5,2004

    Page 126

    Rating Standards: 4 Stars/Classic, 3 ½ Stars/Excellent, 3 Stars/Good, 2 Stars/Fair, 1 Star/Poor

    The following is the review from The Air Canada Centre, Toronto July 3, 2004. This is verbatim from Rolling Stone. Reviewed by writer, J.D. Considine

    4 STARS

    Sammy Hagar and the boys kiss, make up, rock out

    Reunion tours generally range from pale imitation to bitter disappointment; as a rule, any band that breaks up and then gets back together is never the same as before. In one sense, Van Halen’s reformation with singer Sammy Hagar followed that pattern: The band wasn’t as good as it used to be- it was better.

    Whatever problems may have kept the band off the road for the last half-decade (guitarist Eddie Van Halen’s fight with cancer, Hagar’s attitude, drummer Alex Van Halen’s hearing, bassist Michael Anthony’s irrelevance) are gone without a trace. This Van Halen seemed more energetic and enthusiastic than they did a decade ago, during their last outing with Hagar (supporting 1995’s Balance). From the explosive opening of “Jump” to the fist pumping choruses in “Best of Both Worlds,” the band managed to make its big hits seem even bigger onstage. It helped that Eddie played brilliantly throughout, handling the rhythm lick in “Why Can’t This Be Love?” with one hand and lending an almost incandescent virtuosity to “Ain’t Talkin’ ‘Bout Love.” But this was no one-man show. Hagar’s singing maintained a perfect balance between power and insouciance, underscoring the band’s party-hearty aesthetic without undercutting the melodies (a trick former frontman David Lee Roth never managed). And between Anthony’s bass pulse and Alex’s tastefully virtuosic drumming, “Unchained” and “You Really Got Me” were unstoppable juggernauts.

    Far from being outclassed by the solid-gold oldies, the band’s new material-particularly “Up For Breakfast” and the stomping “It’s About Time” – solid and inspiring. In all, the reconstituted Van Halen came across as a band, not some collection of competing personalities and agendas – and based on this night’s performance, it looks like they’re just warming up.

    See more live photos of Hagar and his long-lost pals at rollingstone.com/vanhalen
  • ALinChainz
    DIAMOND STATUS
    • Jan 2004
    • 12100

    #2
    Dude, this has been posted like 3 or 4 times already.

    Comment

    • Samsonite
      Head Fluffer
      • May 2004
      • 221

      #3
      First was by me...fuck ya.

      Comment

      • ALinChainz
        DIAMOND STATUS
        • Jan 2004
        • 12100

        #4
        My bad then.

        And sorry I added the "Tote Bag" part.

        Still don't need posted everyday like its been.
        Last edited by ALinChainz; 07-21-2004, 07:22 PM.

        Comment

        • Samsonite
          Head Fluffer
          • May 2004
          • 221

          #5
          Originally posted by ALinChainz
          No ... fuck you.

          Tell me this, how many times do we need it posted?
          So fast to yell...I was saying Fuck yea...not Fuck you...

          Comment

          • Terry
            DIAMOND STATUS
            • Jan 2004
            • 12123

            #6
            Just reaffirms why I let my RS subscription lapse nearly two decades ago.

            Check out Classic Rock or Blender. Now there's some good readin'!
            Scramby eggs and bacon.

            Comment

            • Halen High
              Commando
              • Jul 2004
              • 1231

              #7
              The writer is obviously a huge Van Hagar fan. Either that or we can expect to see an "exclusive" VH interview in Rolling Stone during the coming months.

              I'm not suggesting this is a paid for PR piece, like the ones that came out early in the tour and were quickly discredited, BUT this review is so over the top it just sounds silly.
              Last edited by Halen High; 07-22-2004, 01:30 AM.

              Comment

              • ELVIS
                Banned
                • Dec 2003
                • 44120

                #8
                I think Edward wrote this review...

                Comment

                • Panamark
                  DIAMOND STATUS
                  • Jan 2004
                  • 17161

                  #9
                  I was thinking Sammy...
                  BABY PANA 2 IS Coming !! All across the land, let the love and beer flow !
                  Love ya Mary Frances!

                  Comment

                  • ELVIS
                    Banned
                    • Dec 2003
                    • 44120

                    #10
                    Could be.. Edward would have said something about God telling him what to play...

                    Comment

                    • Panamark
                      DIAMOND STATUS
                      • Jan 2004
                      • 17161

                      #11
                      Does anyone here actually like Rolling Stone ?? Those dudes have been getting it wrong for decades....
                      BABY PANA 2 IS Coming !! All across the land, let the love and beer flow !
                      Love ya Mary Frances!

                      Comment

                      • guwapo_rocker

                        #12
                        LAST NIGHT

                        Chicago:

                        But it was a show that boasted none of the timeless triumph of Prince's, nor the showmanship of Madonna's, and for that matter, it lacked the continued potency of Bruce Springsteen or the nostalgic power of the Rolling Stones. The 2004 incarnation of Van Halen has noticeably less gas, is glitchier and more ragged, and produced a show that only occasionally red-lined and failed to build up much momentum.

                        In its most grievous pacing error, a blazing "Unchained" and a dated but nicely synth-kissed "Why Can't This Be Love" led directly into ... a two-song Sammy Hagar solo set that included the indigestible "Eagles Fly" and a guitar solo. Why Hagar spent any time doodling around with a guitar while Eddie Van Halen puttered around backstage is a musical question for the ages.

                        That said, credit Hagar, 56, for maintaining his trademark energy level throughout a generous two-plus hours, and the shirtless and ripped Eddie Van Halen, 49, for his successful comeback from a hip replacement, tongue cancer and the breakup of his 20-year marriage. Still, the fact remained that Hagar fought a losing battle with the high notes all night, often ceding the choruses to Anthony (the otherwise fiery "Runaround") and the crowd ("Top of the World").

                        Almost 30 years in, and despite its twists and turns, the Van Halen lead singer controversy continues to polarize fans, and on this night the Roth songs reigned as king -- when they materialized. For a show billed as career-spanning, it was heavy on the Hagar, and a lot of the insufferable prom-theme material such as "When It's Love" and "Dreams" at that. That said, the first set-closer "Right Now" got a surprisingly amped-up reading as an updated version of the seminal video played behind the band ("Right now, a 13-year-old is illegally downloading this song").

                        But there was a discernible jacking-up of the energy level when Eddie ripped into the opening riffs of "Unchained," "Ain't Talkin' 'Bout Love" and the band's blistering cover of the Kinks' "You Really Got Me" (though nagging guitar glitches sabotaged the latter, as they did an otherwise frothy "Panama"). Hagar took a few for the team by gamely tackling them -- really, 18 years into the Sammy regime, no one should have any bones about him covering Dave's stuff.

                        Conversely, three new tracks from the "Best Of Both Worlds" hits package virtually begged to be ignored. "Up for Breakfast" resorts to an unending stream of groan-worthy clunkers such as "She puts the cream in my coffee/the butter on my biscuit," and the abysmal "It's About Time" is half nostalgic call-to-arms ("Turn your clock back/paint it red on black/bring it all right back"), half apology for the recent years Van Halen has failed to appropriately rock its fans ("Right now making up for lost time, yeah").

                        Clearly, Van Halen's intentions are good; they do want to make up for that time, and they do know how to host the party. But they're bringing little new to it, and their ability to replicate it suitably is slowly losing power. Too often, on this night, anyway, they sounded like a band running out of comebacks.

                        Reuters/Billboard

                        Comment

                        • Warham
                          DIAMOND STATUS
                          • Mar 2004
                          • 14589

                          #13
                          Now that is a true to life article.

                          Comment

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