Mike is an awesome BASS player given the nature of the other members of the band. Yep it's laid back and he keeps a low profile because the BASS is practically mixed-out of the first three albums.
Anybody heard a good recording (soundboard) of the original WB demos? I know there are some poor recordings out there but get ahold of a soundboard copy and you will hear the sounds of a REAL BAND!
"She's the Woman," (first, non-bass players and bass players alike, try to figure out the rythm, second/third sing and play all the chorus lines at the same time),
"Last Night" (which I believe became 'Hang 'Em High,' sounds like an ACTUAL song instead of that poor mix on Diver Down and try to reproduce those walking bass line boogie riffs)
"Voodoo Queen" (which became 'Mean Streets'/outro of 'Hot for Teacher' sounds like it should, a good mix of instrumentation, even though it's a demo and the bass playing is locked in, not flashy)
Everyone knows who runs the show in VH. Mike used to really apply himself but because of the crappy mix (except for Fair Warning) and being treated the way he gets/got treated he probably decided not to fight it.
As a BASS Player he gets an 8 in my book. As a BASS Player in VH he deserves a 10.
Notable Bass Parts:
Fair Warning - whole album (good mix)
1984 - "Drop Dead Legs," "Girl Gone Bad" "House of pain" (although, nearly buried in the mix)
5150 - "Summer Nights" (listen to the pre-chorus run played in unison w/ the guitar)
F.U.C.K - "Poundcake" (let's see how many 16th notes you can play, in time, for practically 5:00 mins and still do the pre-chorus & chorus runs) the best mixed VH album along w/ FW
Sorry for the length, second post, point needed to be made
xdairycreamer
Anybody heard a good recording (soundboard) of the original WB demos? I know there are some poor recordings out there but get ahold of a soundboard copy and you will hear the sounds of a REAL BAND!
"She's the Woman," (first, non-bass players and bass players alike, try to figure out the rythm, second/third sing and play all the chorus lines at the same time),
"Last Night" (which I believe became 'Hang 'Em High,' sounds like an ACTUAL song instead of that poor mix on Diver Down and try to reproduce those walking bass line boogie riffs)
"Voodoo Queen" (which became 'Mean Streets'/outro of 'Hot for Teacher' sounds like it should, a good mix of instrumentation, even though it's a demo and the bass playing is locked in, not flashy)
Everyone knows who runs the show in VH. Mike used to really apply himself but because of the crappy mix (except for Fair Warning) and being treated the way he gets/got treated he probably decided not to fight it.
As a BASS Player he gets an 8 in my book. As a BASS Player in VH he deserves a 10.
Notable Bass Parts:
Fair Warning - whole album (good mix)
1984 - "Drop Dead Legs," "Girl Gone Bad" "House of pain" (although, nearly buried in the mix)
5150 - "Summer Nights" (listen to the pre-chorus run played in unison w/ the guitar)
F.U.C.K - "Poundcake" (let's see how many 16th notes you can play, in time, for practically 5:00 mins and still do the pre-chorus & chorus runs) the best mixed VH album along w/ FW
Sorry for the length, second post, point needed to be made
xdairycreamer
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