The best musical partnerships always contain at least a little bit of musical competition between the partners. Paul McCartney wrote some great stuff when he had to compete with John & George for time on the records, and when John was there to help him filter out the worst of it. And Paul served the same function for Lennon. Both of them moved on with their wives as musical collaborators, and it wasn't the same quality control at all, especially in McCartney's case, and by 1976 or so, he was putting out mostly crap songs. In retrospect, John taking 5 years off to raise Sean probably was a great thing for his songwriting. Sadly, we'll never know what kind of a writer he would have been after Double Fantasy.
Similar thing with the Dave/Eddie partnership. They challenged each other to produce the best material. Hagar didn't challenge Ed at all (Cherone wasn't even allowed to try) and Dave had "musical chairs" scenario with his guitarists, so none of them stuck around long enough to develop a true creative partnership.
Can the Roth/Van Halen partnership recover? Guess we will all find out in a few months.......
Similar thing with the Dave/Eddie partnership. They challenged each other to produce the best material. Hagar didn't challenge Ed at all (Cherone wasn't even allowed to try) and Dave had "musical chairs" scenario with his guitarists, so none of them stuck around long enough to develop a true creative partnership.
Can the Roth/Van Halen partnership recover? Guess we will all find out in a few months.......
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